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Sing Me a Song: Medium Low Voice Book

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Sing Me a Song: Medium Low Voice Book

13 Poetic Songs for Solo Singers for Recitals, Concerts, and Contests

Compiled and ed. Sally K. Albrecht

Item: 00-28570

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Description
This collection of 13 songs offers stunning musical settings of poetic texts by writers such as Christina Rossetti, Robert Louis Stevenson, Elizabeth Barrett Browning, and William Blake. Composers include Sherri Porterfield, Douglas E. Wagner, Andy Beck, Ruth Morris Gray, and more. Ideal for auditions, contests, adjudications, and any other solo performances. Available in Medium High and Medium Low editions, with optional piano accompaniment CDs. Titles: Break, Break, Break * From an Irish Cabin * How Do I Love You? * If Music Be the Food of Love * Little Lamb * Little Tree * Never Seek to Tell Thy Love * No Ruby * A Red, Red Rose * Remember Me * Sing Me a Song of a Lad That Is Gone * The Tiger * The Wind.

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Additional Details
Publisher: Alfred Music
Page Count: 64
ISBN10: 0-7390-5084-2
ISBN13: 978-0-7390-5084-2
UPC: 038081311142
SKU: 00-28570

More about this title

Why we love this

This collection pairs distinguished poetry with thoughtful contemporary vocal writing, giving singers real literary substance to interpret alongside musical craft. The range of texts and composers means you'll find something that fits nearly any audition or recital program without resorting to the same twelve overdone standards.

What to expect

These settings honor the emotional landscape of the poetry while offering vocalists room to breathe and shape phrases naturally. From the yearning of Tennyson adaptations to the whimsy of Blake's creatures, the collection spans tender introspection to dramatic declaration without requiring vocal extremes.

Who it's for

Solo singers preparing for auditions, contests, and adjudications need repertoire that demonstrates both musicality and literary intelligence. This collection serves intermediate to advanced vocalists seeking art songs with accessible vocal writing and substantial textual meaning.

How to get the most out of it

  • Study the poetic texts independently before diving into the musical settings. Understanding what Rossetti or Blake intended helps you shape phrases with intention rather than simply following the melody.
  • Use the optional recorded accompaniments to hear how professional pianists balance with the vocal line, then practice without them to build independence and control of your own phrasing.
  • Choose songs that sit comfortably in your passaggio and allow for genuine legit voice production. Medium low collections work best when you're not forcing into uncomfortable extremes.
  • Mark breath points and phrase endings that serve the poetry first. A well-placed comma in the text often signals better musicality than where the voice staff might suggest.

How to use it

Pair selections from this book with standard audition repertoire to show range and refinement. A Rossetti song pairs beautifully with classical and contemporary pieces in a recital, and the variety means you can tailor your program to showcase different colors of your voice across a single performance.

Skills your students will build

  • Interpreting poetry while maintaining musical integrity
  • Balancing legit voice production in a medium-low tessitura
  • Shaping lyrical phrases that serve textual meaning
  • Preparing audition and contest repertoire at a semi-professional standard

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