Sing in Harmony! Cover Image

Sing in Harmony!: SoundTrax Digital Audio Download

$27.99 USD
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Sing in Harmony! Cover Image

Sing in Harmony!: SoundTrax Digital Audio Download

Words and music by Stephen A. Paparo

Item: 00-A-00015554

$27.99
Digital Download
Description

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00015554

More about this title

About the Composer: Stephen A. Paparo

Stephen A. Paparo

Stephen A. Paparo teaches music education at the University of Massachusetts Amherst, where he works actively as a choral conductor and educator. His scholarship focuses on somatic approaches to choral pedagogy, non-traditional ensemble models, and LGBTQ perspectives in music education, with publications in peer-reviewed journals across the field.

Paparo serves as President of the Massachusetts chapter of the American Choral Directors Association and brings that leadership perspective to his compositions for developing choirs. His works with Alfred Music are designed with beginning ensembles in mind, balancing musical integrity with accessibility.

Why we love this

Partner songs offer a built-in solution for mixed-ability casting, letting you include singers at different comfort levels without sacrificing musical payoff. Paparo's choral designs for beginning groups consistently deliver genuine musicality and fun without talking down to young singers, and the availability of recorded accompaniment means you can rehearse effectively whether or not you have reliable piano support.

What to expect

Partner songs carry a natural energy that comes from multiple melodic lines weaving together, creating texture and depth that feels more sophisticated than the individual parts might suggest. This piece gives singers the satisfaction of singing a real melody while hearing harmony bloom around them.

Who it's for

Beginning and developing choirs in middle school, high school, and community settings will find immediate success with this secular partner song. The flexible voice distribution makes it especially useful for mixed ensembles with singers at varying levels of confidence and sight-reading ability.

How to get the most out of it

  • Assign the partner song melody that sits better for your singers' ranges and experience level; you can swap parts at the next performance if you want variety.
  • Layer in the recorded accompaniment during final rehearsals so singers hear the full texture and lock into the harmonic support they'll have in performance.
  • Highlight the moment when both melodies come together; cue singers to listen across parts and feel how the lines interlock.

How to use it

Program this early in a concert to build momentum and engagement, or use it as a bridge piece between more complex selections to give your ensemble and audience a moment of straightforward joy. It works equally well as a festival or competition entry for groups looking for approachable material with genuine musical substance.

Skills your students will build

  • Singing partner melodies and maintaining independence from parallel lines
  • Listening across ensemble parts to blend and balance harmonies
  • Reading and performing with recorded accompaniment
  • Building confidence in sight-reading through accessible but musically substantial material

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