Sick Again Sheet Music Preview

Sick Again: Authentic Guitar TAB

Led Zeppelin

Item: 00-PS-0013732

Digital Download
$9.99
Description
Alfred Music, in association with Led Zeppelin, is proud to present this new Platinum Album Edition book. Drawn from more than 30 years of documentation, interviews, and recorded footage, these all-new transcriptions feature unprecedented accuracy and insight into the guitar style of Jimmy Page. With vintage Zeppelin photographs and a historical foreword by Guitar World magazine's editor-in-chief, Brad Tolinski, this book is a true collectible every fan must own. Titles: Custard Pie * The Rover * In My Time of Dying * Houses of the Holy * Trampled Under Foot * Kashmir * In the Light * Bron-Yr-Aur * Down by the Seaside * Ten Years Gone * Night Flight * The Wanton Song * Boogie with Stu * Black Country Woman * Sick Again.

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Additional Details
Series: Alfred's Platinum Album Editions
Publisher: Alfred Music
Page Count: 160
SKU: 00-PS-0013732

More about this title

About the Composer: Jimmy Page

Jimmy Page stands as one of rock's most influential and technically innovative guitarists. His work with Led Zeppelin across the 1970s defined the sound of hard rock and heavy metal, combining blues foundations with experimental studio techniques, Eastern influences, and dynamic compositional structures that rewrote what electric guitar could accomplish.

Why we love this

This collection captures the transcriptions that serious rock guitarists return to again and again. Page's compositions span massive stylistic range within a single album, from the acoustic fingerpicking of 'Bron-Yr-Aur' to the heavy riffing of 'Sick Again,' giving students exposure to the full spectrum of his technical vocabulary. The Platinum Album Edition's accuracy and historical context make it the reference standard for learning authentic Led Zeppelin guitar.

What to expect

Moving through these songs feels like a masterclass in contrast. You encounter intimate acoustic passages that demand fingerpicking precision, explosive riffs built on simple but devastating rhythmic ideas, and experimental textures that push the guitar far beyond traditional rock boundaries. Every page reflects the confidence of a player working at the absolute peak of his creative powers.

Who it's for

This book is designed for intermediate to advanced guitarists who want to understand Page's approach to composition and arrangement across Led Zeppelin's catalog. Rock students, session musicians building their repertoire, and players interested in the technical foundations of 1970s rock will find the depth and accuracy invaluable.

How to get the most out of it

  • Study the dynamics and phrasing alongside the tab; Led Zeppelin's guitar magic lives in the space between notes and the subtle timing variations that create groove and feel.
  • Use recordings as your primary learning tool. Page's studio work involved layering, effects, and production choices that tab alone cannot convey; hearing the recorded versions clarifies intent and execution.
  • Break down the heavier riffs like 'Sick Again' and 'The Rover' into smaller sections and build tempo gradually rather than attempting them at speed immediately.
  • Experiment with alternate tunings early. Several Zeppelin tracks use non-standard tunings that significantly affect tone and playability; the tuning information in the transcriptions is essential, not optional.

How to use it

Use individual transcriptions as showcase pieces in rock or contemporary ensemble contexts, or study them as primary source material in guitar history or music theory classes examining 1970s rock composition. The breadth of the collection supports thematic programming around different playing techniques, tunings, or compositional approaches across a semester or year.

Skills your students will build

  • Reading and executing complex rhythmic figures in rock contexts
  • Interpreting non-standard and open tunings
  • Fingerpicking techniques for both acoustic and electric guitar
  • Understanding dynamics, phrasing, and feel as distinct from literal note reading
  • Recognizing compositional structures in hard rock (verses, riffs, modulations, dynamics shifts)
  • Translating recorded performances into playable arrangements

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