Shout the News!: 2-Part Choral Octavo
(Go, Tell It on the Mountain)
Words and music by Sally K. Albrecht
Item: 00-PO-0005592
Minimum order quantity: 20 copies
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About the Composer: Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over three decades, first as Director of School Choral, Vocal, and Elementary Publications at Alfred Music and continuing as a prolific composer with more than 600 published works in print. Her expertise in choral movement and accessible writing has made her a sought-after clinician at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center. An annual ASCAP Special Music Award recipient since 1987, she holds degrees from Rollins College (B.A. in Music and Theater, 1976) and the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979).
Based in North Carolina with her husband, composer and arranger Jay Althouse, Sally has served as Chair of the Board of Trustees for the Omicron Delta Kappa National Leadership Honor Society and received their Pillar of Leadership award. In 2021, she was honored with the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees.
Why we love this
Albrecht writes spirituals that feel genuinely alive in a room. The opening refrain lands with immediate energy, and the riff-like descant finale builds real excitement without requiring advanced reading or range. The option to add movement (with choreography provided) transforms what could be a standard holiday number into something your choir and audience will remember.
What to expect
Joyful and purposeful, with the warmth of a gospel spiritual meets the drive of a modern carol. The piece invites singers to celebrate with conviction, and the descant creates a moment of pure, undeniable lift.
Who it's for
Choirs of all ability levels working with 2-part voicings during the Christmas season. The accessible range and straightforward part-writing make it ideal for middle school through adult ensembles, while the spiritual roots and contemporary energy appeal to singers looking for genuine repertoire, not filler.
How to get the most out of it
- Bring out the gospel character of that opening refrain by allowing your singers to lean into the rhythm slightly; this isn't a classical spiritual but a modern one with attitude.
- The descant in the final section works best when it has independent momentum; avoid letting it disappear under the main melody, even in a 2-part voicing.
- If you add the choreography, rehearse it with the recorded accompaniment early so singers internalize how movement and music interact, not as an afterthought.
How to use it
Position this as an energetic mid-program piece that shifts the mood and engages your audience directly. Its rousing character and optional choreography work especially well in community concerts, holiday services, or school performances where connection to your singers matters as much as polished sound.
Skills your students will build
- Reading and performing gospel-influenced rhythmic language and phrasing
- Balancing melodic independence in a descant against a main vocal line
- Coordinating music with choreographed movement and staging
- Understanding spiritual traditions and their presence in contemporary choral writing