Shout the News! Cover Image

Shout the News!: 3-Part Mixed Choral Octavo

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Shout the News! Cover Image

Shout the News!: 3-Part Mixed Choral Octavo

(Go, Tell It on the Mountain)

Words and music by Sally K. Albrecht

Item: 00-46335

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Description
Here's an original Christmas spiritual inspired by (and including a verse of) the gospel carol "Go, Tell It on the Mountain." Sally's rousing refrain grabs your attention right at the start, and a riff-like descant really raises the roof at the end. Add choreography (from the When We Sing! DVD) for an extra flourish!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Shout the News!: 3-Part Mixed Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081527147
SKU: 00-46335

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped choral music education for decades as a composer, conductor, and clinician with particular expertise in integrating movement into choral performance. Since 1987, she has received annual ASCAP Special Music Awards and maintains over 600 published choral works alongside 75 larger-scale musicals and songbooks. She has conducted honor choirs at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, bringing her signature blend of musicality and physicality to ensembles nationwide.

Albrecht spent more than 30 years directing school choral and vocal publications for major educational music publishers, including her role as Director of School Choral, Vocal, and Elementary Publications at Alfred Music. She holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. A recipient of the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, she resides in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.

Why we love this

Albrecht taps into the infectious energy of the spiritual tradition while creating something entirely fresh. The rousing refrain and descant work together to build momentum, and the optional choreography transforms this from a strong choral piece into a genuine moment of celebration that audiences won't forget.

What to expect

Joyful, rousing, and grounded in the spiritual tradition. The piece radiates celebration from the opening refrain, with the descant adding an exuberant sparkle while the underlying gospel text anchors everything in authentic meaning.

Who it's for

Directors building a Christmas program that needs genuine joy and movement appeal for middle school through adult choirs. SAB voicing makes this accessible to changing voices and mixed ensembles without sacrificing musical substance or energy.

How to get the most out of it

  • Balance the three-part texture so the descant truly soars without overwhelming the main melodic line; encourage upper voices to feel the independence of their riff-like material without losing ensemble cohesion.
  • Incorporate the provided choreography selectively; even simple gesture work during the refrain can amplify the piece's celebratory character and engage younger singers kinesthetically.
  • Lean into the spiritual roots by allowing the gospel carol verse to breathe with authentic phrasing; this moment of restraint contrasts beautifully with the surrounding energy.

How to use it

Program this as an upbeat anchor in a Christmas concert's second half, where its rhythmic drive and optional staging will refresh the audience and reset the energy. It pairs naturally with slower carols or contemporary pieces, providing both musical contrast and a strong, memorable closing number if needed.

Skills your students will build

  • Singing independent three-part textures with rhythmic precision
  • Blending traditional spiritual language with contemporary choral writing
  • Integrating choreography and movement into ensemble singing
  • Balancing descant material with supporting voice parts
  • Phrasing gospel-rooted melodic material authentically

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