Shout the News!: SATB Choral Octavo
(Go, Tell It on the Mountain)
Words and music by Sally K. Albrecht
Item: 00-PO-0005590
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About the Composer: Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over three decades as a composer, conductor, and clinician with particular expertise in choral movement and staging. A consistent ASCAP Award recipient since 1987, she has authored more than 600 choral publications and 75 larger works for stage, while conducting honor choirs at venues including Lincoln Center, Carnegie Hall, and The Kennedy Center. Her career in music publishing at major educational houses gave her deep insight into what works in rehearsal and performance.
Educated at Rollins College (B.A. in Music and Theater, 1976) and the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), Albrecht has taught in university music departments across the country. She has been recognized with the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, and served as Chair of the Board of Trustees for the Omicron Delta Kappa National Leadership Honor Society. She lives in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.
Why we love this
Albrecht knows exactly how to hook an audience from measure one. The refrain lands with immediate energy, and the descant that closes the piece lifts the whole ensemble and audience to the roof. This is a piece that sings, dances, and feels effortless to perform because it's built on the foundation of a familiar spiritual.
What to expect
Joyful, celebratory, and grounded in the authentic call-and-response of the spiritual tradition. The piece moves with infectious momentum, building from its rousing opening through to a triumphant finish that feels earned rather than manufactured.
Who it's for
Choirs of all ages looking for a Christmas piece with genuine spiritual roots and contemporary energy. This works beautifully for church choirs, community ensembles, and school groups that want to honor the tradition of spirituals while delivering a performance that engages and excites.
How to get the most out of it
- Shape the refrain with confidence and rhythmic precision; this is your anchor moment and sets the tone for everything that follows.
- The descant in the final section should feel like a natural lift rather than an added layer. Rehearse it as a single melodic gesture that includes both the descant and the harmony beneath it.
- Explore the movement and staging suggestions from the When We Sing! DVD; choreography transforms this from a sung piece into a full performance moment.
- Balance the gospel carol verse with the original material. The familiar "Go, Tell It on the Mountain" text grounds singers and allows them to connect deeply before the energy shifts.
How to use it
Place this as an anchor moment in a Christmas concert, where it can anchor the second half or serve as a climactic closer that sends audiences out energized. It pairs naturally with other spirituals or gospel-influenced pieces, and its accessibility makes it ideal for programs mixing choral styles and eras.
Skills your students will build
- Gospel-influenced rhythmic feel and groove
- Singing with descant lines and layered voicing
- Integrating movement and staging with choral singing
- Interpreting the spiritual tradition with authenticity
- Building ensemble blend and balance across four parts
- Sustaining energy and momentum through dynamic shifts