Shepherd's Hey [British Folk Music Settings, No. 3] Cover Image

Shepherd's Hey [British Folk Music Settings, No. 3]: Large Chamber Ensemble, Mixed Instruments Chamber Ensemble, Score and Parts

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Shepherd's Hey [British Folk Music Settings, No. 3] Cover Image

Shepherd's Hey [British Folk Music Settings, No. 3]: Large Chamber Ensemble, Mixed Instruments Chamber Ensemble, Score and Parts

By Percy Aldridge Grainger

Item: 36-A630190

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Description
Percy Grainger (1882-1961) began work on SHEPHERD'S HEY in 1908 for piano solo, published for the first time in 1911. Based on an English Morris Dance, the melody was collected by Cecil J. Sharp from the playing of the fiddler of the Bidford Morris Dancers in 1906, J. Mason. Grainger arranged several versions as British Folk-Music Settings, including this No. 3. Instrumentation: 1.0.1.0: 1.0.0.0: Str 7tet (3Vn.2Va.2Vc.CB): Solo Concertina. Reprint edition.

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Additional Details
Series: Kalmus Symphonic Pops
Publisher: Keiser Productions, Inc.
UPC: 659859466897
SKU: 36-A630190
Instrumentation: 1.0.1.0: 1.0.0.0: Str 7tet (3Vn.2Va.2Vc.CB): Solo Concertina

More about this title

About the Composer: Percy Aldridge Grainger

Percy Grainger (1882-1961) was an Australian-born composer and pianist whose arrangements of folk music became central to his compositional legacy. He collected and studied traditional melodies across Europe and beyond, believing that folk music held profound artistic value worthy of sophisticated treatment. His British Folk-Music Settings represent some of his most inventive work, transforming simple dance tunes into richly orchestrated ensemble pieces that honor the original material while showcasing his gift for color and texture.

Why we love this

Grainger's setting brings unexpected sophistication to a familiar Morris Dance melody without losing its character or accessibility. The combination of strings with solo concertina creates a distinctly English sound that feels both period-appropriate and warmly contemporary. The score offers ensemble musicians a chance to play a well-crafted, engaging work that audiences recognize and enjoy.

What to expect

This piece captures the energy and good humor of a village dance without sentimentality. The melody bounces along with infectious charm, carried by the soloists while the ensemble provides warmth and rhythmic propulsion. There is a sense of celebration and communal joy, as if a folk tradition is being honored and enjoyed rather than studied from a distance.

Who it's for

Chamber ensembles with string players and access to a skilled concertina player will find this an ideal addition to their repertoire. Directors seeking folk-inspired material that feels substantial and well-crafted, rather than simplified or lightweight, will appreciate Grainger's approach. It works equally well for mixed amateur ensembles and professional groups looking for accessible yet rewarding programming.

How to get the most out of it

  • Balance the concertina solo with the ensemble; the instrument should speak clearly without overwhelming the strings, especially in passages where it carries the melody.
  • Shape phrases as you would in a dance context, allowing natural rhythmic lift and directness rather than romantic rubato.
  • Give the lower strings (violas, cellos, bass) their full voice; Grainger's writing in these parts is colorful and integral to the arrangement's character.
  • Attend to Grainger's dynamic markings and articulation closely; his economy of expression creates much of the piece's charm and period flavor.

How to use it

Program this alongside other British folk settings or lighter chamber works to create a concert segment with national character and audience appeal. It pairs well with other Grainger arrangements or with 20th-century folk-inspired pieces, offering a bridge between traditional music and composed concert works. The piece's modest length and cheerful tone make it useful as a closer or centerpiece for a pops concert.

Skills your students will build

  • Playing with ensemble rhythmic precision in a moderate to brisk tempo
  • Balancing soloists with ensemble accompaniment
  • Understanding folk melody and its characteristics through arranged context
  • Reading and interpreting Grainger's distinctive dynamic and articulation markings
  • Coordinating mixed instrumental timbres (strings and concertina) for cohesive sound

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