Shepherd's Hey [British Folk Music Settings, No. 3] Cover Image

Shepherd's Hey [British Folk Music Settings, No. 3]: Large Chamber Ensemble, Mixed Instruments Chamber Ensemble, Full Score

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Shepherd's Hey [British Folk Music Settings, No. 3] Cover Image

Shepherd's Hey [British Folk Music Settings, No. 3]: Large Chamber Ensemble, Mixed Instruments Chamber Ensemble, Full Score

By Percy Aldridge Grainger

Item: 36-A630101

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Description
Percy Grainger (1882-1961) began work on SHEPHERD'S HEY in 1908 for piano solo, published for the first time in 1911. Based on an English Morris Dance, the melody was collected by Cecil J. Sharp from the playing of the fiddler of the Bidford Morris Dancers in 1906, J. Mason. Grainger arranged several versions as British Folk-Music Settings, including this No. 3. Instrumentation: 1.0.1.0: 1.0.0.0: Str 7tet (3Vn.2Va.2Vc.CB): Solo Concertina. Reprint edition.

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Additional Details
Series: Kalmus Symphonic Pops
Publisher: Keiser Productions, Inc.
ISBN10: 8-892709-00-3
ISBN13: 979-8-892709-00-2
UPC: 659859278438
SKU: 36-A630101
Instrumentation: 1.0.1.0: 1.0.0.0: Str 7tet (3Vn.2Va.2Vc.CB): Solo Concertina

More about this title

About the Composer: Percy Aldridge Grainger

Percy Grainger (1882-1961) was an Australian-born composer and pianist whose curiosity about folk music shaped his distinctive compositional voice. He actively collected and studied traditional melodies across the British Isles, Scandinavia, and beyond, then reimagined them through creative orchestrations that honored their origins while expanding their harmonic and textural possibilities.

Why we love this

Grainger's gift was making folk material sound fresh without losing its character, and this arrangement proves it. The concertina solo against strings creates an intimate folk texture that still reads as concert music, making it ideal for programs that want genuine substance without heavy academic weight.

What to expect

Shepherd's Hey dances. The melody springs from the English Morris tradition with genuine rhythmic vitality and character, while Grainger's arrangement wraps it in luminous string writing that feels both celebratory and intimate. It's energetic without being aggressive, folk without being precious.

Who it's for

Chamber ensembles with strings and access to a skilled concertina player will find this score rewarding. It works equally well for university chamber groups, semi-professional ensembles, or advanced high school programs seeking quality British folk repertoire with concert appeal.

How to get the most out of it

  • Balance the solo concertina prominently; it carries the melody and personality of the Morris Dance throughout, so the strings must support rather than overshadow.
  • Pay attention to rhythmic lilt and dance character in the string lines. Grainger's folk settings often benefit from subtle flexibility in phrasing that honors the tune's dance origins.
  • Use dynamic contrast between sections to shape the piece's architecture. The arrangement likely has textural shifts, so let each section breathe distinctly.

How to use it

Program this as a welcome change of pace in recitals heavy on classical sonata form or contemporary chamber works. Its approachable character and folk authenticity make it an excellent anchor for a thematic program exploring British music, dance, or folk-inspired settings.

Skills your students will build

  • Stylistic flexibility within a single ensemble texture
  • Balancing a melodic soloist against accompaniment parts
  • Rhythmic precision in dance-derived meters and phrasing
  • Textural clarity across mixed instruments
  • Ensemble listening across instrumental families

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