Shallow: 3-Part Mixed Choral Octavo
From A Star Is Born
Words and music by Lady Gaga, Mark Ronson, Anthony Rossomando, and Andrew Wyatt / arr. Alan Billingsley
Item: 00-PO-0006010
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Lady Gaga
Lady Gaga (Stefani Germanotta) emerged as a transformative force in pop music, known for her genre-blending compositions and theatrical artistry. Her work spans dance-pop, ballads, and jazz standards, and she has consistently written songs that balance commercial appeal with emotional depth and harmonic sophistication.
Beyond performance, Gaga has established herself as a serious musician and composer. Her collaborations with producers like Mark Ronson and her ventures into jazz demonstrate her range as a songwriter and her commitment to craft. Her songs have become staples in educational choral settings, offering contemporary material that engages singers and audiences alike.
Why we love this
Alan Billingsley's arrangement honors the song's emotional core while making it accessible to a 3-part ensemble. The preserved solo and duet moments give singers a chance to inhabit the film's narrative before the voices blend, and the optional cello part deepens the arrangement's expressivity without overcomplicating the choral writing.
What to expect
The song opens with intimate vulnerability, two voices working through a moment of connection and hesitation. As the full choir enters, that intimacy expands rather than disappears; the arrangement builds layers of harmony that feel earned and genuine. The overall effect is moving and accessible, balancing the song's cinematic power with the warmth of ensemble singing.
Who it's for
This arrangement works well for mixed choirs spanning middle school through community ensembles. The SAB voicing keeps ranges comfortable while the pop styling and film context engage singers who might not connect with traditional choral repertoire.
How to get the most out of it
- Balance the opening solo passages carefully; the vocalist should have presence without overwhelming the accompaniment, setting up the duet as a true dialogue rather than a solo with background.
- Pay attention to the text underlay in the verse sections. The conversational quality of the lyric works best when singers phrase naturally, letting punctuation and meaning guide breath placement rather than adhering rigidly to bar lines.
- Bring out the cello line if you're using the SoundPax or recorded accompaniment. Even though it's instrumental, it carries melodic and emotional weight that should be audible in the overall texture.
- In the full choral sections, resist the urge to swell every phrase. The song builds power through restraint and careful dynamic shaping; save your biggest moments for the final chorus.
How to use it
This pairs naturally with concert themes exploring contemporary music, emotional narratives, or award-winning film moments. Its length and emotional accessibility make it an excellent anchor for a mixed program where you want a modern piece that will resonate with both singers and audiences.
Skills your students will build
- Balancing solo and ensemble textures within a single piece
- Phrasing pop-style melody with natural speech patterns while maintaining musical line
- Reading SAB voicing and maintaining part integrity in three-voice harmony
- Interpreting dynamic and expressive direction in contemporary choral writing
- Responding to optional instrumental parts and coordinating with recorded accompaniment