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Shallow: Choral SoundTrax CD

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Shallow Cover Image

Shallow: Choral SoundTrax CD

From A Star Is Born

Words and music by Lady Gaga, Mark Ronson, Anthony Rossomando, and Andrew Wyatt / arr. Alan Billingsley

Item: 00-47872

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Description
This Lady Gaga/Bradley Cooper Oscar-winner lays at the heart of the blockbuster movie A Star Is Born. Alan's tasteful, sound-alike arrangement preserves the opening solo and duet passages before blossoming into full choral harmony. An expressive cello part (in the SoundPax and on the SoundTrax CD) adds even more emotion to this top-reviewed award winner!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081548456
SKU: 00-47872

More about this title

About the Composer: Lady Gaga

Lady Gaga emerged from the early 2000s pop landscape as a composer, producer, and vocalist committed to combining theatrical ambition with genuine melodic craft. Beyond her chart dominance, her work demonstrates sophisticated harmonic sensibility and an instinct for writing songs that function equally well in intimate and expansive arrangements.

Why we love this

Alan Billingsley's arrangement honors the song's essential character while creating genuine choral moments that reward ensemble singers. The preserved solo and duet passages give your singers immediate connection to the source material, and the transition into full harmony feels earned rather than forced. Programming a contemporary Oscar-winning song alongside traditional or classical repertoire signals to audiences and students alike that choral music lives in the present.

What to expect

The song breathes with vulnerability and yearning. Billingsley's arrangement preserves that intimate quality during the early passages, then gradually unfolds into rich harmony that feels like a collective exhale. The cello adds warmth and sophistication, elevating the piece beyond typical pop-crossover treatments.

Who it's for

Choirs at the intermediate to advanced level looking to program contemporary material with genuine artistic substance. This works equally well for concert choirs seeking modern repertoire, show choirs wanting a ballad with emotional depth, or any ensemble wanting to connect with student singers through music they recognize and love.

How to get the most out of it

  • Shape the opening solo and duet passages with the same emotional restraint as the film version; let the accompaniment carry you rather than pushing for volume.
  • Balance the cello line (whether from the recorded accompaniment or a live player) as a featured voice during the transition into full harmony, not as background texture.
  • Treat dynamics as emotional punctuation; the build into choral sections should feel like a natural swell of feeling, not a mechanical crescendo.
  • Lock the harmonic blend during sustained chords by having singers listen across parts rather than to the accompaniment.

How to use it

Place this as a standout moment in a concert built around film or contemporary music, where it can anchor an entire set or provide contrast to a capella work. Its accessibility makes it ideal for mixed-age or mixed-experience ensembles on the same program, and its emotional weight works beautifully as a concert closer or as the centerpiece of a smaller showcase.

Skills your students will build

  • Singing sustained legit tone over contemporary harmonic progressions
  • Balancing solo or duet passages with ensemble singing
  • Listening to and blending with instrumental accompaniment, including chamber instruments
  • Dynamic control and emotional phrasing in pop idiom
  • Reading through tasteful, non-literal harmonic voicings

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