Shadow Defenders Cover Image

Shadow Defenders: String Orchestra Conductor Score

$10.00 USD
Sale price  $10.00 USD Regular price 
Skip to product information
Shadow Defenders Cover Image

Shadow Defenders: String Orchestra Conductor Score

By Katie O'Hara LaBrie

Grade: 3

Item: 98-ST6552S

$10.00
Shipped

One moment…

Description
From the first note of this thrilling piece, a sense of suspense feeds an intense desire to protect and avenge, leaving listeners to wonder what is looming around the corner. Let students imagine a world of possibilities in this cinematic work, while developing their skills with independent rhythms, shifting, and interlaced syncopations that propel this journey through the shadows.

Shadow Defenders: String Orchestra Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 241444594704
SKU: 98-ST6552S

More about this title

About the Composer: Katie O’Hara LaBrie

Katie O’Hara LaBrie

Katie O'Hara LaBrie brings fifteen years of orchestra teaching experience from Fairfax County, Virginia, to her work as a composer and conductor. She studied music education at St. Olaf College under Steven Amundson and earned her master's degree in instrumental conducting from George Mason University under Anthony Maiello. Her compositional voice draws deeply from her classroom: she writes music that is pedagogically intentional, engaging for audiences, and genuinely enjoyable for the performers playing it.

LaBrie's commitment to music education has earned her recognition as one of Yamaha's "40 Under 40" honorees in 2022, and her compositions are regular selections for J.W. Pepper Editor's Choice and performances at the Midwest Band and Orchestra Directors Clinic and American String Teachers Association Conference. She founded the Fairfax Chamber Players and co-created "the Big IDEA" practice method. She is also a cellist and continues to advocate for purposeful practice and meaningful music-making in schools.

Why we love this

LaBrie's cinematic instinct here is striking: she builds genuine suspense without relying on cheap tricks, and the syncopated figures create forward momentum that keeps student players engaged across all three minutes. The rhythmic independence work is substantial and genuinely musical, not drilled in isolation; students hear why their part matters because the interlaced patterns create the dramatic texture itself.

What to expect

Shadow Defenders opens with a sense of unease that never fully resolves into comfort; instead, it propels forward with interlocked, syncopated figures that create a cinematic tension. The piece suggests a world of possibility and danger, inviting listeners (and players) to imagine what might emerge from the darkness, while the music itself becomes a study in how independent rhythms build collective power.

Who it's for

String orchestras working at Grade 3 who are ready to tackle independent rhythmic material and want a concert or festival piece with real dramatic stakes. This is ideal for students who have secure fundamentals and can manage shifting passages while maintaining their own rhythmic integrity.

How to get the most out of it

  • Establish the pulse clearly in your opening cue; the syncopations lock together only when the ensemble feels a secure tempo underneath.
  • Separate the independent rhythmic lines in sectional rehearsals by part, then layer them one section at a time before bringing the full orchestra in.
  • Watch for balance shifts during the shifting sections; the drama lives in clarity of line, not volume, so guide students toward transparent playing even when their rhythms overlap.
  • Allow the dramatic arc to breathe; resist the urge to rush through the tension. The 'looming' feeling in the score needs space to settle on the listener.

How to use it

This works brilliantly as a festival or competition piece, where the cinematic storytelling and technical demands will impress adjudicators and audiences alike. You might also program it as a concert opener to signal to your audience that this year's repertoire has edge and sophistication, or pair it with a lighter work to create dramatic programming contrast.

Skills your students will build

  • Playing independent rhythms while maintaining ensemble cohesion
  • Executing shifting passages with accuracy across multiple string sections
  • Reading and performing interlaced syncopations at tempo
  • Responding to dynamic and textural changes that build dramatic tension
  • Listening critically to ensure clarity of individual lines within a complex texture

You May Also Like