Shadow Dancing: SSA Choral Octavo
Words and music by Barry Gibb, Robin Gibb, Maurice Gibb, and Andy Gibb / arr. Kirby Shaw
Item: 00-PO-0003401
$2.10
Minimum order quantity: 20 copies
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Description
Andy Gibb was the first solo artist to have his first three singles all hit the number one spot in the U.S. Put on your polyester and pay tribute to the wonderful world of disco!
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Additional Details
Series:
Alfred Pop Series
Publisher:
Alfred Music
Page Count:
16
SKU:
00-PO-0003401
More about this title
About the Composer: Barry Gibb
Barry Gibb is a songwriter and producer who shaped the sound of popular music across multiple decades. As a founding member of the Bee Gees, he co-wrote and arranged some of the most recognizable songs of the 1970s and beyond, including the disco phenomenon "Saturday Night Fever." His gift for crafting vocal harmonies and infectious melodies made him instrumental in defining an era of pop and dance music that continues to influence musicians today.
Why we love this
Kirby Shaw's arrangement captures the irresistible groove of "Shadow Dancing" while keeping the vocal writing accessible for SSA choirs. The disco energy is immediately engaging for students, and the arrangement preserves the song's iconic hooks without overshadowing the singers. This is a crowd-pleaser that brings genuine fun to concert programming while remaining musically substantive.
What to expect
Velvet and sleek, with that unmistakable disco pulse beneath polished vocal harmonies. The arrangement has warmth and accessibility, inviting listeners into a moment of unapologetic pop joy while maintaining genuine musicality.
Who it's for
SSA and SSAA choirs looking to program contemporary pop with historical weight and musical substance. This arrangement works well for high school and community choirs seeking repertoire that excites singers and audiences alike.
How to get the most out of it
- Lock into a steady, relaxed pulse; the groove depends on rhythmic confidence rather than rushing. Let the beat breathe and trust the pocket.
- Shape phrases with the disco sensibility in mind: smooth, connected lines with subtle emphasis on strong beats rather than punchy attacks.
- Balance the recorded accompaniment carefully so it supports rather than overwhelms the vocal lines, especially in the higher ranges where SSA voices can blend.
- Work articulation and rhythm section parts (if using the available instrumental parts) early to establish groove and free the voices to focus on blend and intonation.
How to use it
Pair this with other 1970s pop hits for a thematic concert program exploring the era, or use it as a contrast piece against more classical or contemporary repertoire to demonstrate the choir's stylistic range. The 16-page format and recorded accompaniment make it practical for spring or pop-focused concerts.
Skills your students will build
- Singing syncopated rhythms in a contemporary pop idiom
- Blending and balancing three-part harmonies in close intervals
- Maintaining rhythmic precision against a steady groove
- Shaping phrases with pop sensibility and modern text delivery