Seafarer's Parting Song: TTB Choral Octavo
Traditional Sea Shanty / arr. Jack Zaino
Item: 00-PO-0007862
Minimum order quantity: 20 copies
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About the Arranger: Jack Zaino

Jack Zaino brings a musician's ear and a teacher's precision to every arrangement he creates. A New England-based choral educator with deep roots in the Connecticut choral community, Zaino earned degrees in voice and music education from the University of Connecticut, where he was a founding member of the UConn Chamber Singers. He spent years in the classroom teaching middle school music before joining Alfred Music as a choral editor, clinician, and composer.
Zaino's work spans contemporary pop and folk idioms, with published arrangements of artists ranging from Kacey Musgraves to Lizzo. His approach balances artistic ambition with accessibility, a philosophy reflected in his service to Connecticut ACDA (which named him Young Choral Director of the Year in 2020) and his work on repertoire and composition for the choral community. He continues to sing and advocate for choral artistry across Connecticut.
Why we love this
Zaino respects the source material while reshaping it entirely. Rather than lean into the swagger of a typical work song, he finds the emotional core of a farewell at sea and builds something introspective and singable. The solo opportunities scattered through the piece invite personal interpretation without derailing the ensemble sound, and the legato writing sits naturally for TTB voices.
What to expect
A quiet moment on the dock at dusk. The vocal writing unfolds unhurried, with phrases that linger and breathe like someone remembering a voyage. There is tenderness here and resolve, a recognition that leaving something behind is also the first step toward home.
Who it's for
TTB choirs seeking repertoire that honors folk traditions while showcasing contemporary choral writing. This works for ensembles at the secondary level and beyond that have developed comfort with legato singing and can sustain a slow tempo with musical integrity.
How to get the most out of it
- Shape the solo passages as intimate moments within the larger group; they should feel like a band mate speaking candidly rather than stepping fully into the spotlight.
- Find the forward motion even in the slow tempo by treating longer phrases as arcs rather than stopping points. Legato phrasing should breathe, not drag.
- Balance the reflective mood with vocal clarity in the ensemble sections. Melancholy need not sound uncertain; lock the blend and tuning so the expressive content can shine.
- Use the recorded accompaniment in rehearsal to anchor the tempo and harmonic language, then gradually move away from it to build independence among the voice parts.
How to use it
Pair this with other sea-based literature or folk settings to explore maritime themes across an entire concert. Its reflective character makes it an excellent anchor for a second half that moves from lighter work to deeper emotional terrain, or place it late in a program when your audience is ready to settle in and listen closely.
Skills your students will build
- Sustaining legato phrasing across long phrases without losing forward motion
- Blending and tuning in close harmony with attention to choral balance
- Interpreting solo passages with musical independence while maintaining ensemble cohesion
- Communicating emotional subtext through vocal tone and phrasing choices
- Reading and performing contemporary choral arrangements based on traditional material