Scarborough Fair Cover Image

Scarborough Fair: SSA Choral Octavo

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Scarborough Fair Cover Image

Scarborough Fair: SSA Choral Octavo

Arr. Jay Althouse

Item: 00-11310

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Description
A fresh, new, up-tempo arrangement of the popular English folk song. A great piano part drives this Jay Althouse arrangement from the opening measures. The familiar melody and superb voice leading make this an excellent concert and contest piece to show off your choir's talents. Unique!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Scarborough Fair: SSA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081023649
SKU: 00-11310

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse earned his B.S. in Music Education and M.Ed. in Music from Indiana University of Pennsylvania, where he was later honored with the Distinguished Alumni award. Early in his career, he spent eight years managing rights and licenses for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America.

Althouse has composed over 800 choral works performed extensively across the English-speaking world. A writer member of ASCAP, he is a regular recipient of the organization's Special Award for his standard music compositions. Beyond composition, he has collaborated with his wife Sally K. Albrecht on children's musicals, compiled influential vocal collections like Folk Songs for Solo Singers, and co-authored The Complete Choral Warm-up Book and Accent on Composers. His educational contributions include reproducible classroom resources such as Ready to Read Music and One-Page Composer Bios. Althouse has also served the folk music community as a contributor to the Folk Art Society of America, for which he has written articles in its quarterly periodical. He resides in North Carolina.

Why we love this

Althouse's signature approach to folk song arranging shines here: he honors the melody's inherent beauty while reimagining its context entirely. The up-tempo energy and driving piano part transform a contemplative ballad into something that showcases ensemble precision and dynamic control, making it equally strong as a concert closer or festival selection.

What to expect

The familiar melody feels reimagined rather than retreaded. Althouse's arrangement lifts the piece into an energetic, forward-moving performance that keeps the charm of the original while adding rhythmic momentum and textural interest. Singers and listeners alike experience something both recognizable and fresh.

Who it's for

Choirs with solid intonation and the ability to maintain energy in shorter note values will find this arrangement rewarding. It works equally well for ensembles preparing contest repertoire or programming a concert that needs a folk song with contemporary vigor.

How to get the most out of it

  • Let the piano establish the tempo and character from the opening measures; it's integral to the arrangement's drive, not accompaniment.
  • Balance the familiar melody against the supporting voice parts; Althouse's voicing is designed to highlight both without either dominating.
  • Attend to the rhythmic precision across all three parts to maintain the up-tempo energy and sparkle throughout.

How to use it

This works beautifully as a concert closer with contrast to your formal repertoire, or as a secure choice in a festival setting where judges appreciate solid musicianship applied to beloved material. Its accessibility makes it an ideal pairing with more challenging contemporary work on the same program.

Skills your students will build

  • Blending three-part harmony while maintaining independent line integrity
  • Responding to a driving piano accompaniment and staying rhythmically locked
  • Singing at an up-tempo without sacrificing diction or intonation
  • Balancing familiar melody against supporting parts

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