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Sacred Quartets for All: Violin Book

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Sacred Quartets for All Cover Image

Sacred Quartets for All: Violin Book

From the Renaissance to the Romantic Periods

Arr. William Ryden

Item: 00-EL9776

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Description
This quartet collection of 13 keyboard, vocal and instrumental pieces covering the Renaissance to the Romantic periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings, and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes sacred music fun! Contains: Adoramus Te (We Adore Thee) (Palestrina) * Amen (Stainer) * Cherubim Song (Archangelsky) * Chorale (Bach) * Deep River (Anonymous) * Gloria Patri (Purcell) * Go Down, Moses (Anonymous) * God Of Our Fathers (Warren) * Missa Apostolorum (Cavazzoni) * Old Hundredth (Bourgeois) * Onward, Christian Soldiers (Sullivan) * The Quest (Marianlieder) *Shir Hamaalot (Anonymous).

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Additional Details
Series: For All Series
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7692-1647-1
ISBN13: 978-0-7692-1647-8
UPC: 029156697636
SKU: 00-EL9776
Instrumentation: Violin

More about this title

Why we love this

Ryden's arrangement gives you genuine stylistic variety in a single folio. From Palestrina's Renaissance polyphony to Sullivan's Victorian hymn tune, every piece maintains its historical character while sitting comfortably under the fingers of string players at this level. The flexible instrumentation means you can pull together whatever ensemble shows up to rehearsal without rewriting a single note.

What to expect

You'll move between the reverent stillness of Renaissance choral writing and the robust confidence of Victorian hymn arrangements, with spirituals and global sacred traditions woven throughout. Each piece carries real musical weight despite the accessible ranges and straightforward harmonies, giving students the sense that they're playing something that matters.

Who it's for

String players in middle school through adult ensembles who want to explore sacred literature beyond standard orchestra repertoire. This collection works equally well for a school string quartet, a mixed instrumental ensemble, or a flexible chamber group that needs to accommodate whatever players are available.

How to get the most out of it

  • Balance the inner voices carefully during sustained harmonic passages; the violin book carries structural lines that shouldn't disappear when other instruments join in.
  • Pay attention to the differences in articulation between arrangements of traditional hymns (clean, unified releases) and Renaissance motets (slightly more independent phrasings). The notation will guide you, but historical context helps interpretation.
  • Lock in rhythmically with whatever instruments double your line; even half a beat of lag undermines the harmonic clarity these pieces depend on.

How to use it

Build a short sacred music concert around selections from this collection, pairing pieces that contrast in period and texture. A single quartet (perhaps one violin copy plus three other instruments) works beautifully in a chamber concert or school worship service, while the full 13-piece set lets you program sacred music throughout an entire concert season.

Skills your students will build

  • Reading and performing across historical periods (Renaissance counterpoint, Baroque chorale, Romantic hymn arrangements)
  • Adapting individual voice parts to different instruments without losing harmonic integrity
  • Balancing soloistic and supporting roles within a quartet texture
  • Sustaining tone and phrasing over longer harmonic progressions

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