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Sacred Quartets for All: Viola Book

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Sacred Quartets for All Cover Image

Sacred Quartets for All: Viola Book

From the Renaissance to the Romantic Periods

Arr. William Ryden

Item: 00-EL9777

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Description
This quartet collection of 13 keyboard, vocal and instrumental pieces covering the Renaissance to the Romantic periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings, and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes sacred music fun! Contains: Adoramus Te (We Adore Thee) (Palestrina) * Amen (Stainer) * Cherubim Song (Archangelsky) * Chorale (Bach) * Deep River (Anonymous) * Gloria Patri (Purcell) * Go Down, Moses (Anonymous) * God Of Our Fathers (Warren) * Missa Apostolorum (Cavazzoni) * Old Hundredth (Bourgeois) * Onward, Christian Soldiers (Sullivan) * The Quest (Marianlieder) *Shir Hamaalot (Anonymous).

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Additional Details
Series: For All Series
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7692-1648-X
ISBN13: 978-0-7692-1648-5
UPC: 029156697643
SKU: 00-EL9777
Instrumentation: Viola

More about this title

Why we love this

This collection solves a real logistical challenge: you have violas who need to play sacred repertoire alongside other instruments, but few arrangements actually write for viola with genuine care. Ryden's arrangements sit comfortably in the viola range while allowing violas to anchor the harmony without doubling other parts. The variety of periods and styles means you're not locked into one aesthetic, and the flexible scoring lets you build an ensemble from whatever instruments show up.

What to expect

A journey through centuries of sacred music, from Renaissance polyphony to Victorian hymn settings, all arranged so violas can sing with clarity and purpose. The pieces range from introspective and devotional to jubilant and processional. Playing alongside woodwinds, brass, or other strings creates rich harmonic color without requiring special adaptations.

Who it's for

Viola students and teachers looking for accessible sacred repertoire that doesn't relegate violas to the background. Directors building mixed ensembles (strings, woodwinds, brass) who want a single folio that serves multiple instrumentation combinations. Studio teachers pairing up students across different instruments for chamber experience.

How to get the most out of it

  • Balance the viola line so it provides harmonic foundation without overwhelming the melody. In pieces like "Onward, Christian Soldiers," the viola often carries inner harmony; adjust volume dynamically as the texture shifts.
  • Pay attention to the text underlay in vocal-instrumental pieces like "Deep River." Even as an instrumentalist, phrasing the viola line according to how the text would breathe creates musical coherence across the ensemble.
  • Use the flexibility to your advantage in rehearsal. Start sections with just violas and one other instrument part to establish tuning and balance before layering in additional colors.

How to use it

Pair individual movements with your concert's thematic arc. A hymn arrangement can open a concert, while more substantial pieces like the Cavazzoni work well as standalone items. Use this folio to create pickup chamber ensembles for special occasions (services, assemblies, festivals) where you want mixed instrumentation and immediate flexibility.

Skills your students will build

  • Playing as a harmonic anchor in mixed instrumental ensembles
  • Matching tone production and articulation across different instrument families
  • Interpreting sacred music from multiple historical periods and compositional traditions
  • Reading and executing flexible instrumentation scores
  • Sustaining long melodic lines with shape and direction in vocal-style writing

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