Running with Scissors: Jazz Ensemble Conductor Score & Parts

Goodwin's signature sound comes through immediately in this high-energy funk chart. The combination of a propulsive groove, clear solo vehicles for multiple instruments, and that unmistakable big band swagger makes this the kind of piece that energizes both the band and the room. At Grade 3.5, it's accessible enough for solid high school ensembles but sophisticated enough to hold the attention of accomplished groups.

This chart radiates confidence and cool. The funky groove sits somewhere between straight-ahead jazz and rock, anchored by infectious rhythmic momentum. It's music that makes you move, with crisp horn lines and space for individual voices to shine without losing sight of the collective groove.

Jazz ensembles at the Grade 3.5 level looking for a chart that delivers immediate energy and musical substance. Conductors seeking repertoire that excites players without requiring virtuoso chops will find this accessible and rewarding. Audiences respond to this kind of groove-driven, engaging writing, making it equally valuable in concert and festival settings.

• Lock the groove with your rhythm section first. The 168 BPM funky feel lives or dies by how tight the drums, bass, and piano lock together. Spend rehearsal time getting that pocket absolutely solid before layering in the horns.
• Balance the lead trumpet against the section behind it. With the range pushing to written high C (and optional D), this part demands stamina and presence. Make sure the lead voice cuts through without drowning out the supporting brass.
• Encourage soloists to fully inhabit their given sample solos. These aren't starting points for improvisation; they're carefully crafted models of how Goodwin hears the tune. Once the band absorbs them, soloists can develop their own voice within the style.
• Use auxiliary percussion strategically for texture. This isn't just a timekeeper role. The percussion voicing adds color and funk attitude that defines the chart's character.

Program this as a centerpiece for a jazz concert or festival set where you want to showcase ensemble energy and contemporary style. It pairs well alongside more traditional swing charts, offering stylistic variety that holds audience attention. The combination of arranged sections and solo features also makes it an excellent vehicle for highlighting individual players while maintaining strong ensemble presence.

• Reading and executing syncopated rhythms in a funk/rock context
• Maintaining precise ensemble articulation and attack in sectional passages
• Balancing solo improvisation with written melodic models
• Rhythmic precision at faster tempos while maintaining relaxed phrasing
• Understanding and playing within a funky groove pocket
• Trading sections and responding to soloist dynamics as an ensemble