Running with Scissors: Jazz Ensemble Conductor Score

Goodwin delivers exactly what jazz ensemble charts should do: a groove that locks immediately and carries the entire ensemble forward without relying on tired clichés. The solo writing gives each section a moment to shine with material that sits naturally on their instruments, and the optional instrumentation (flute, vibes, auxiliary percussion) lets you adapt the chart to your ensemble's strengths. The result is a chart that feels contemporary and playable while sounding sophisticated.

Running with Scissors channels the kind of hip, propulsive funk that makes an audience want to move. The 168 BPM groove sits in that sweet spot where it feels energetic without becoming exhausting, and Goodwin's orchestration keeps things colorful and dynamic throughout. This is jazz that feels alive and contemporary.

Jazz ensemble directors seeking a modern, groove-based chart that sits solidly at the Grade 3-4 level without sacrificing musicality or fun. Players at this level will find the solo writing accessible and rewarding, while conductors get a score that works equally well in a concert or festival setting.

• Lock the backbeat hard in the rhythm section. This funk groove depends on the pocket staying tight between drums, bass, and piano; any looseness in the pocket will undermine the overall feel.
• Balance the lead trumpet range carefully. The optional high D adds sparkle but shouldn't overshadow the ensemble's blend; find the volume that keeps the melody prominent without forcing.
• Let the soloists breathe within the structure. These are sample solos, not transcriptions to be played note-for-note; encourage players to use them as launching points and add their own voice.
• Highlight the auxiliary percussion layer. This often-overlooked part adds color and definition to the groove; make sure it's audible enough to anchor the funky feel.

Program this as a centerpiece chart or high-energy closer that gives your ensemble a chance to show its rhythmic precision and ensemble balance. It pairs well with more traditional jazz standards or classical crossovers, offering variety in style and energy. The solo structure makes it an excellent choice for a concert where you want to feature your section players.

• Playing confidently in a funk groove and maintaining pocket integrity
• Balancing solo improvisation within a structured chart
• Coordinating rhythmic precision across the ensemble at moderate tempo
• Reading and performing sample solos as written material rather than improvisation
• Blending sectional voices while maintaining part independence