Rudolph, Frosty, and Suzy: SSA Choral Octavo
Rudolph, the Red-Nosed Reindeer * Frosty, the Snowman * Suzy Snowflake
Arr. Mark Hayes
Item: 00-PO-0005695
Minimum order quantity: 20 copies
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More about this title
About the Arranger: Mark Hayes

Mark Hayes is a prolific arranger, composer, and conductor whose output spans over 1,750 published works across sacred and secular styles. A summa cum laude graduate in Piano Performance from Baylor University, Hayes has guest conducted at Lincoln Center, the National Cathedral, and Carnegie Hall, and received the 2010 Award for Exemplary Leadership in Christian Music from Baylor University Center for Christian Music Studies.
Beyond his concert and choral work, Hayes has ventured into musical theater, orchestrating Madame Buttermilk and arranging music for We'll Meet Again. His catalog includes more than 100 piano books spanning gospel, classical, jazz, and Broadway idioms. Based in Kansas City, Missouri, Hayes continues to balance international conducting engagements with composing and arranging projects that serve musicians at all levels.
Why we love this
Mark Hayes has a gift for turning recognizable melodies into arrangements that feel fresh and singable without losing their charm. This medley moves with infectious energy and clear harmonic support that lets young singers shine without getting buried in complexity. At four and a half minutes, it's substantial enough to make an impact in a concert but tightly paced enough to hold an audience's attention from start to finish.
What to expect
Playful and polished, with the warmth of nostalgia paired with clever arranging that keeps things moving. The three melodies sparkle against Hayes's harmonic backdrop, creating moments of genuine musicality within the medley's celebratory spirit.
Who it's for
SSA choirs looking for a high-energy holiday selection that appeals to intermediate and advanced singers. This works equally well for community choruses, school choirs, and church ensembles seeking repertoire that entertains without talking down to the audience.
How to get the most out of it
- Bring out the character in each song by adjusting tempo and articulation between sections. Hayes builds momentum, so use that architectural shift to keep the arrangement from feeling like three separate songs strung together.
- Balance the recorded accompaniment (if using SoundTrax) so it supports rather than overwhelms the treble voices. Test levels in your rehearsal space beforehand.
- Lock in rhythmic precision during the transitions between songs. Small ensemble hesitations between medley sections will read as technical uncertainty rather than intentional.
How to use it
Open a holiday concert with this arrangement to set an upbeat, accessible tone for the audience. It also works as a second-half opener after more serious Christmas choral repertoire, giving singers a chance to enjoy themselves while reminding listeners why these songs endure.
Skills your students will build
- Singing sustained lines against rhythmic accompaniment
- Navigating multiple key areas within a single work
- Ensemble balance and blend in a novelty arrangement
- Maintaining energy and musicality in a fast-paced medley