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Round Dance: String Orchestra Conductor Score & Parts

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Round Dance Cover Image

Round Dance: String Orchestra Conductor Score & Parts

By Andrew Levin

Grade: 2

Item: 36-50250134

$40.00
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Description
A short piece this one, but it is packed with valuable teaching points. It is a dance in D minor that introduces 16th notes and two-note slurs, some of which include string crossings. Upper strings use low 1s and 2s, cellos low 1s, and basses half position. A more lyric theme combines with the opening idea for a dramatic ending.

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Additional Details
Series: LudwigMasters Developing Strings
Publisher: Keiser Productions, Inc.
ISBN10: 1-68-296656-9
ISBN13: 978-1-6829-6656-3
UPC: 660355053412
SKU: 36-50250134
Instrumentation: String Orchestra

More about this title

Why we love this

Andrew Levin has designed this piece to teach essential string techniques without overwhelming young players. The combination of 16th-note figures, two-note slurs with string crossings, and strategic use of lower positions makes it a smart choice for directors who want students to develop fingerboard fluency and bow control simultaneously. The dramatic final section gives ensemble members a real payoff for their technical work.

What to expect

The piece opens with a playful dance character built on crisp 16th-note figures that skitter across the strings. When the lyric theme arrives, the mood softens into something more expressive before building to a dramatic conclusion that brings both musical ideas together.

Who it's for

String orchestra directors teaching Grade 2 students who are ready for more sophisticated left-hand and bow work. This piece works well for groups that have basic position changes under their belts and need targeted technique building in a musical context.

How to get the most out of it

  • Isolate the slurred string crossings in rehearsal before combining them with the 16th-note rhythms. Young players often sacrifice articulation when crossing strings, so practice the bows separately until the motion is natural.
  • Mark the position shifts clearly in parts so students aren't guessing when to move from higher to lower positions. Use consistent notation or verbal cues ("shift to low 1" or "shift to half position") so the ensemble moves together.
  • Bring out the contrast between the opening dance figure and the lyric theme that enters later. This tonal difference gives the piece shape and makes the final dramatic statement feel earned rather than sudden.
  • Keep the opening sections light and rhythmically precise. The 16th notes should dance, not drag, which requires clear ensemble counting and attention to subdivision.

How to use it

Program this as a contest or festival entry where judges expect to hear solid technique applied to actual music. Its modest length makes it ideal for pairing with a longer work on a concert, or it can anchor a festival program focused on string technique development.

Skills your students will build

  • Playing 16th-note rhythmic figures with clarity and consistent articulation
  • Executing two-note slurs that cross strings while maintaining tone quality
  • Reading and executing shifts to low positions (low 1s and 2s in upper strings; low 1s in cello; half position in bass)
  • Balancing ensemble rhythm while maintaining independent technical focus
  • Contrasting lyric and rhythmic musical characters within a single piece

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