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Rocking Pneumonia and the Boogie Woogie Flu: TTB Choral Octavo

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Rocking Pneumonia and the Boogie Woogie Flu Cover Image

Rocking Pneumonia and the Boogie Woogie Flu: TTB Choral Octavo

Words and music by Huey P. Smith / arr. Kirby Shaw

Item: 00-33032

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Description
A breakout hit for Huey "Piano" Smith and the Clowns in the 1950s, today Kirby Shaw gives us a fresh and funky blast of an arrangement to cure what ails you! Staging featured on "Shine!" movement DVD 00-34720.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
UPC: 038081359403
SKU: 00-33032

More about this title

About the Composer: Huey P. Smith

Huey P. Smith was a New Orleans pianist and bandleader who became a pivotal figure in early rock and roll during the 1950s. As the leader of the Clowns, Smith crafted infectious novelty records that blended boogie-woogie piano, R&B grooves, and vaudeville humor into a sound that influenced generations of rock musicians. "Rocking Pneumonia and the Boogie Woogie Flu" exemplifies his gift for combining playful lyrics with genuinely swinging musical arrangements that made him a fixture on the charts and in live performance.

Smith's legacy rests not just on hits but on his ability to make music that was both commercially appealing and musically substantive. His boogie-woogie foundation and tight ensemble work set a standard for fun, energetic performance that remains relevant in choral and instrumental settings today.

Why we love this

Kirby Shaw's arrangement captures the mischievous energy of the original without losing its musical integrity. The TTB voicing opens this novelty classic to choirs that might otherwise overlook it, and the included staging cues make rehearsing and staging straightforward enough that the focus stays on pure fun rather than logistical headaches.

What to expect

A rollicking, good-natured romp through 1950s R&B territory with a rock and roll attitude. The boogie-woogie foundation keeps things moving with infectious energy, while the humor invites singers and audiences to smile without feeling condescended to.

Who it's for

Directors programming pop repertoire for TTB choirs who want something with genuine swing and personality. This works equally well for high school ensembles seeking a crowd-pleasing novelty number or community choirs ready to break out of traditional styles.

How to get the most out of it

  • Lock the rhythm section and click track to the recorded accompaniment early in rehearsal. This piece lives in the groove, and ensemble time is non-negotiable.
  • Commit fully to the character work. Novelty songs fail when singers hedge or apologize for the humor; lean into the personality Shaw's arrangement creates.
  • Balance the boogie-woogie energy in the piano part (if instrumental accompaniment is used) so it sits behind the voices rather than overwhelming them.
  • Use the staging suggestions in the "Shine!" movement DVD as a starting point, then encourage singers to own their physicality and confidence on stage.

How to use it

Pair this with other Shaw arrangements or pop standards in a concert built around American roots music and novelty classics. It lands well as an upbeat second-half opener that resets audience energy and lets singers showcase their charisma and rhythmic chops.

Skills your students will build

  • Singing syncopated rhythms against steady harmonic accompaniment
  • Maintaining tight ensemble time in a groove-based arrangement
  • Blending comic timing with secure vocal technique
  • Responding to choreography and movement cues while sustaining vocal focus
  • Interpreting and performing pop and R&B style conventions

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