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Roar: Jazz Ensemble Conductor Score

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Roar: Jazz Ensemble Conductor Score

Words and music by Katy Perry, Max Martin, Lukasz Gottwald, Bonnie McKee, and Henry Walter / arr. Victor López

Grade: 2 (Medium Easy)

Item: 00-41165S

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Description
Here's a pop tune that your jazz ensemble will enjoy playing and that the audience will recognize and enjoy. A tempo of around 164 BPM, no solos, and a big ensemble sound with trumpet 1 range to written F top line and a solid drum back-beat. It works great. (2:47)

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Additional Details
Series: Young Jazz Ensemble
Publisher: Alfred Music
Page Count: 16
UPC: 038081478579
SKU: 00-41165S

More about this title

About the Composer: Katy Perry

Katy Perry emerged as a pop powerhouse in the late 2000s with an instinct for infectious hooks and arena-ready production. Her songwriting collaborations with Max Martin, Lukasz Gottwald, and Bonnie McKee produced some of the most recognizable pop anthems of the 2010s, balancing accessibility with craft.

Why we love this

Victor López's arrangement strips away none of the song's energy while keeping the ensemble part writing straightforward enough for Grade 2 players to nail it together. Your students will feel like they're playing a real hit, not a watered-down educational version, and audiences respond immediately to the melody and groove they already know.

What to expect

Bright, driving, and undeniably catchy. The arrangement captures the anthem quality of the original with a solid ensemble sound and forward momentum that keeps the energy up for nearly three minutes without solos or complex harmonic detours.

Who it's for

Jazz ensemble directors leading Grade 2 ensembles who want their students playing something the audience will actually recognize and enjoy. This works for groups looking to build confidence with a contemporary pop arrangement that doesn't condescend to younger players.

How to get the most out of it

  • Lock the drum part early in rehearsals. The backbeat drives the entire arrangement, so get your rhythm section solid before layering in horns.
  • Balance the trumpet 1 line without letting it overshadow the ensemble. That written F on top carries the hook, but it should sing above the texture, not dominate it.
  • Keep the tempo steady at 164 BPM. This piece thrives on groove; any wavering in the click throws off the pocket immediately.
  • Mark the sectional entrances clearly on parts. With no solos to navigate, clarity on who plays when becomes your rehearsal foundation.

How to use it

Program this in a pops concert or mixed jazz and popular music set where it lands perfectly alongside other contemporary hits. The recognizable melody makes it a strong opener or closer for audiences unfamiliar with jazz repertoire.

Skills your students will build

  • Maintaining steady tempo and groove in a pop/jazz context
  • Balancing solo voices against ensemble texture
  • Reading and executing clearly marked sectional entrances
  • Playing with stylistic accuracy in a contemporary pop-jazz idiom

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