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Roar: Jazz Ensemble Conductor Score & Parts

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Roar: Jazz Ensemble Conductor Score & Parts

Words and music by Katy Perry, Max Martin, Lukasz Gottwald, Bonnie McKee, and Henry Walter / arr. Victor López

Grade: 2 (Medium Easy)

Item: 00-41165

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Description
Here's a pop tune that your jazz ensemble will enjoy playing and that the audience will recognize and enjoy. A tempo of around 164 BPM, no solos, and a big ensemble sound with trumpet 1 range to written F top line and a solid drum back-beat. It works great. (2:47)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Roar: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Young Jazz Ensemble
Publisher: Alfred Music
Page Count: 98
UPC: 038081478562
SKU: 00-41165

More about this title

About the Composer: Katy Perry

Katy Perry is a pop songwriter and performer whose work has shaped contemporary popular music across the 2000s and 2010s. Her compositions balance accessibility with memorable melodic hooks and production sophistication, making them natural candidates for ensemble arrangement and educational performance.

Why we love this

Victor López's arrangement captures the infectious energy of the original without demanding extended solos or technical pyrotechnics from your players. The Grade 2 scoring keeps parts accessible while the solid drum part and bright trumpet lines ensure the ensemble sounds confident and powerful, which builds student enthusiasm for contemporary material.

What to expect

Energetic and radio-ready, with a driving groove that invites movement and engagement. The big ensemble sound and recognizable melody create an immediate sense of accomplishment and fun.

Who it's for

Jazz ensembles at the Grade 2 level who are building confidence with ensemble textures and contemporary repertoire. The arrangement works well for groups seeking pieces that resonate with student musicians and audiences alike while staying within manageable technical demands.

How to get the most out of it

  • Lock the rhythmic precision of the drum beat early in rehearsal. A tight back-beat at 164 BPM is the foundation for everything else to sit cleanly.
  • Balance the ensemble so that the top line trumpet shines without overpowering the supporting voices. This piece relies on the full ensemble sound rather than solo spotlighting.
  • Shape the dynamic arc across the full duration. At 2:47, maintaining consistent energy without letting intensity sag requires intentional phrasing from section to section.

How to use it

This works exceptionally well as a closer on a concert or as part of a set featuring contemporary pop-jazz crossover material. It appeals to mixed-age audiences and provides a refreshing contrast to traditional jazz standards or classical arrangements on the same program.

Skills your students will build

  • Playing with steady, syncopated rhythms in a jazz context
  • Balancing sectional parts within an ensemble texture
  • Maintaining consistent tempo and pulse at medium-fast tempo (164 BPM)
  • Reading and performing contemporary pop-inflected jazz voicings
  • Understanding drum-driven groove and rhythmic foundation in ensemble playing

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