Right About March Cover Image

Right About March: Concert Band Conductor Score & Parts

$75.00 USD
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Right About March Cover Image

Right About March: Concert Band Conductor Score & Parts

Arranged by John Fulton

Grade: 3

Item: 98-RWS201600

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Description
Originally composed for piano in 1908 by W. C. Powell, Right About March has been arranged for the modern concert band by John Fulton. This upbeat march works well as a concert opener and is appropriate for all seasons, including music performance assessment.

Original Item#: RWS-2016-00

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Additional Details
Series: RWS - Concert Band
Publisher: RWS Music Company
ISBN10: 1-4706-9325-9
ISBN13: 978-1-4706-9325-1
UPC: 038081609102
SKU: 98-RWS201600

More about this title

Why we love this

John Fulton's arrangement captures the infectious energy of Powell's original piano march while writing idiomatically for modern concert band voices. The scoring sits comfortably across the ensemble, avoiding unnecessary doublings that muddy the clarity of the melodic line. Bands at this level will find it rewarding to play and audiences will hear a polished, accessible march that sounds far more substantial than its grade level suggests.

What to expect

Bright, purposeful energy with a classic march character. The piece moves with infectious momentum, built on clear melodic statements and straightforward harmonic support that lets younger players feel the satisfaction of ensemble balance without excessive technical demands.

Who it's for

Grade 3 concert bands seeking a spirited, accessible opener that programs efficiently. This march works for groups with mixed instrumentation and varying player experience, as the arrangement distributes the musical interest widely while keeping individual parts manageable.

How to get the most out of it

  • Keep the forward momentum steady throughout. This march thrives on consistent pulse and clear articulation in the woodwind figures that propel the harmony along.
  • Balance the melody against the supporting parts. Ensure your lead voices (clarinet and cornet in the A section) project warmly without drowning out the counterlines in the lower voices.
  • Shape phrases with gentle dynamic inflection rather than sudden jumps. The march's character comes from buoyant, connected phrasing that maintains energy without sounding forced.
  • Give the brass section room to sing in the trio. Slight emphasis on the natural accent points will help the transition back to the march feel organic and fresh.

How to use it

Program this as your concert opener to set a confident, upbeat tone. It also fits naturally into music performance assessments, giving students a familiar march style with room to demonstrate articulation clarity and dynamic control. The piece's moderate length and cheerful disposition make it equally suitable for contest preparation or community ensemble concerts year-round.

Skills your students will build

  • Clear articulation in sustained melodic passages
  • Balance between melody and supporting harmonic voices
  • Steady pulse maintenance in march rhythm patterns
  • Dynamic shaping and phrasing without excessive technical complexity
  • Ensemble blend across woodwind, brass, and percussion sections

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