Right About March Cover Image

Right About March: Concert Band Conductor Score

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Right About March Cover Image

Right About March: Concert Band Conductor Score

Arranged by John Fulton

Grade: 3

Item: 98-RWS201601

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Description
Originally composed for piano in 1908 by W. C. Powell, Right About March has been arranged for the modern concert band by John Fulton. This upbeat march works well as a concert opener and is appropriate for all seasons, including music performance assessment.

Original Item#: RWS-2016-01

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Additional Details
Series: RWS - Concert Band
Publisher: RWS Music Company
ISBN10: 1-4706-9674-6
ISBN13: 978-1-4706-9674-0
UPC: 038081612591
SKU: 98-RWS201601

More about this title

Why we love this

John Fulton's arrangement captures the infectious energy of Powell's original march while writing idiomatically for modern band. The Grade 3 scoring stays accessible without sacrificing character, making it a piece that plays bigger than its difficulty level. Directors appreciate arrangements that feel written for the ensemble, not simply transcribed.

What to expect

Bright and propulsive, Right About March projects confidence and forward momentum. The piece carries the spirit of early American march tradition without pretension, landing squarely in the sweet spot between march sophistication and accessibility.

Who it's for

Concert bands at the Grade 3 level seeking straightforward, audience-friendly material for concert openings or festival performances. Directors building balanced programs that include early 20th-century Americana alongside contemporary works.

How to get the most out of it

  • Keep the articulation crisp and uniform across the ensemble, especially in the rhythmic figures that define the march character. This clarity prevents the piece from dragging.
  • Balance the melodic lines between sections so the tune sings above the harmonic foundation. Marches can flatten quickly if inner voices overwhelm the top.
  • Maintain steady march tempo throughout without rushing. Let the original 1908 character breathe without modern urgency.

How to use it

Program this as a first-half opener to establish energy and set an upbeat tone. Its versatility across concert settings and assessment contexts makes it reliable for spring concerts, summer festivals, or adjudicated performances without feeling overused.

Skills your students will build

  • Articulation control in marchlike rhythmic figures
  • Balance between melody and harmonic accompaniment
  • Steady tempo maintenance in an straightforward metric context
  • Ensemble precision with repetitive rhythmic patterns

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