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Rhythms & Rests: 1st E-flat Alto Saxophone Book

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Rhythms & Rests: 1st E-flat Alto Saxophone Book

By Frank Erickson

Item: 00-16567

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Description
This invaluable collection features rhythm drills and etudes and applies them to six full band arrangements. Some of the unique features include: an emphasis on musical passages containing a wide variety of rests, prep rhythm drills with suggestions for their use, etudes that can be played as a solo, or, when used with a companion etude, as a duet; an emphasis on changing eighth-note rhythms (5/8, 7/8 etc.) and a full band selection at the end of each unit reinforcing the newly learned rhythms and patterns.

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-4186-X
ISBN13: 978-0-7390-4186-4
UPC: 038081132457
SKU: 00-16567
Instrumentation: 1st E-flat Alto Saxophone

More about this title

About the Author: Frank Erickson

Frank Erickson stands as one of the most prolific and respected composers and educators in American band music. His output spans multiple generations of student musicians, with works ranging from accessible concert pieces to sophisticated wind band arrangements, all informed by a deep understanding of what young players need to progress meaningfully.

Erickson's pedagogical philosophy emphasizes building solid fundamentals through musical application rather than abstract drills. His writing consistently balances technical development with genuine musicality, ensuring that students develop skills in context rather than in isolation.

Why we love this

This book cuts straight to a problem many directors face: students can handle simple rhythms but stumble when rests enter the picture or meters shift into unfamiliar territory. Erickson builds competence progressively, with rhythm drills that preview what's coming, etudes that work solo or as duets, and full band arrangements that anchor each new skill in real musical repertoire. By the time students play the band arrangement, they've already practiced the exact rhythmic challenges they'll encounter.

What to expect

The rhythmic variety creates a sense of forward momentum and challenge; the work doesn't feel repetitive because each unit introduces new metric territory. Rests, often dreaded by younger players, become concrete, manageable challenges rather than sources of anxiety.

Who it's for

First alto saxophone players in concert band programs who have solid note-reading skills but need targeted work on rhythmic accuracy, rest placement, and meter flexibility. This book suits students in grades 4-6 and remains valuable for beginning high school players establishing a strong technical foundation.

How to get the most out of it

  • Count through passages with rests aloud before playing them, using the complete metronome pulse. This anchors the player's internal sense of time when they're not producing sound.
  • Use the etude duets as peer-to-peer accountability; pairing students with similar levels allows them to focus on matching rhythm and articulation rather than managing a large ensemble.
  • Lock in with the ensemble at the start of each full band arrangement by playing the first measure with exaggerated precision. A unified entry sets the standard for rhythmic clarity throughout.
  • Isolate the measures containing meter changes by playing them slowly and separately before incorporating them into the complete etude or arrangement.

How to use it

Assign individual units on a rotating basis during the school year, asking students to complete a unit every 2-3 weeks. The solo etudes make excellent practice-room assignments and can feed into student recital preparation, while the full band arrangements integrate seamlessly into regular rehearsal once the preceding rhythm drills and etudes are secure.

Skills your students will build

  • Accurate counting and rest placement across all note values
  • Reading and performing meters including 5/8, 7/8, and other non-standard signatures
  • Sustaining internal pulse during extended rests
  • Matching rhythmic attacks and releases with ensemble members
  • Confidence with syncopated and varied eighth-note patterns
  • Duet playing and rhythmic coordination with a partner

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