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Rhythms & Rests: 2nd B-flat Clarinet Book

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Rhythms & Rests: 2nd B-flat Clarinet Book

By Frank Erickson

Item: 00-16564

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Description
This invaluable collection features rhythm drills and etudes and applies them to six full band arrangements. Some of the unique features include: an emphasis on musical passages containing a wide variety of rests, prep rhythm drills with suggestions for their use, etudes that can be played as a solo, or, when used with a companion etude, as a duet; an emphasis on changing eighth-note rhythms (5/8, 7/8 etc.) and a full band selection at the end of each unit reinforcing the newly learned rhythms and patterns.

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-4183-5
ISBN13: 978-0-7390-4183-3
UPC: 038081132426
SKU: 00-16564
Instrumentation: 2nd B-flat Clarinet

More about this title

About the Author: Frank Erickson

Frank Erickson built his career as a prolific composer and educator who understood the real demands of teaching instrumental music in schools. His output spanned concert band works, choral music, and educational materials that prioritized clarity of instruction without sacrificing musical integrity. Erickson's approach to pedagogy emphasized systematic skill-building through carefully sequenced repertoire and exercises that engaged students rather than merely drilling technique.

Why we love this

Second clarinet players often get stuck with filler parts that don't develop their musicianship, but this book treats the chair as a real voice deserving substantive material. The pairing of targeted rhythm drills with functional etudes and full band contexts means students aren't abstract problem-solving in isolation; they're learning passages they'll actually play in ensemble. The emphasis on rests and less common meters reflects how real band literature actually sounds.

What to expect

Honest, practical, and musical all at once. You're not grinding through abstract exercises; you're learning rhythm patterns that immediately show up in the full band pieces at the end of each unit, which gives the work real purpose. The etudes sound like actual clarinet music rather than robot-speak, even as they isolate specific rhythmic challenges.

Who it's for

Second B-flat clarinetists in concert bands who need systematic work on rhythmic accuracy and the ability to handle less common meters and frequent rests without falling apart. This book works for upper elementary through high school players who are past the absolute beginner stage but still building reliability in rhythm reading and ensemble coordination.

How to get the most out of it

  • Work the prep rhythm drills before moving to their etude applications. Erickson designed these progressions deliberately, and skipping ahead skips the foundation he built.
  • When playing etudes as duets with another clarinetist, lock into the rhythmic precision your partner is delivering. These exercises strengthen interval hearing and rhythmic independence simultaneously.
  • Count through passages with rests out loud before playing them. Rests are active, not dead time, and knowing exactly where you land after a silence prevents the choppy entrances that trip up second clarinets.
  • Listen to the full band arrangements at the end of each unit to hear your part in context. Second clarinet often carries counter-melody or harmonic support that makes sense only when you hear the whole texture.

How to use it

Assign units sequentially during your regular rehearsal season as a warmup or sectional focus before full band rehearsals. The progression from drill to etude to arrangement means students see the payoff quickly, and second clarinetists develop the independence and rhythmic confidence that strengthens your entire clarinet section.

Skills your students will build

  • Reading and executing passages with frequent rests and longer silence values
  • Changing eighth-note rhythms in meters including 5/8 and 7/8
  • Rhythmic independence through solo etudes and duet work
  • Articulation precision and rhythmic entrances after rests
  • Sight-reading of non-standard meters and syncopated rhythmic patterns

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