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Rain: Concert Band Conductor Score & Parts

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Rain: Concert Band Conductor Score & Parts

Featuring: Raindrops Keep Fallin' on My Head / Come Rain or Come Shine / Singin' in the Rain

Arr. Jack Bullock

Grade: 3 (Medium Easy)

Item: 00-29617

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Description
It is difficult to hear the wonderful motion picture song, "Singin' in the Rain," without conceptualizing Gene Kelly and his umbrella, or "Raindrops Keep Fallin' on My Head" without thinking of Butch Cassidy and the Sundance Kid. So taking these two songs and inserting the great "torch" song, "Come Rain or Come Shine," between them gives the listener an unforgettable medley about three wonderful melodies and their relationship to the pleasant, and sometimes disastrous, condition called rain. Umbrella not included. (4:47)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Rain: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Concert Band
Publisher: Alfred Music
Page Count: 260
UPC: 038081321981
SKU: 00-29617

More about this title

About the Arranger: Jack Bullock

Jack Bullock

Jack Bullock brings decades of professional experience across performance, composition, and education to his prolific arranging career. A trumpet performer who worked with the Miami Philharmonic Orchestra and Miami Opera Company, as well as regional and touring ensembles, he has published over 600 works spanning concert band, orchestra, jazz ensemble, and marching band. He holds degrees through the doctoral level in Music Education and co-authored the Belwin 21st Century Band Method.

During his 20 years teaching instrumental music in schools, Bullock served as assistant band director at Ithaca College's School of Music and chaired the Music Education Department there for four years. He has led clinics and workshops across North America and England, and maintains ASCAP membership since 1980. His work as a contributing arranger for Alfred Music's Music Expressions curriculum reflects his commitment to making quality arrangements accessible to school musicians.

Why we love this

Three iconic songs woven into a single, coherent medley gives your band a chance to play repertoire audiences genuinely recognize and love. The Grade 3 arrangement respects both the melodies and the lyrical subtext that ties them together, so students aren't just executing notes—they're interpreting familiar material with genuine narrative arc. This is the kind of program piece that builds ensemble enthusiasm because the payoff is immediate and satisfying.

What to expect

Nostalgic and warmly cinematic, moving from the energetic choreography of a classic Hollywood moment through the wistful ballad territory, then landing on an upbeat final image. The medley structure creates a journey rather than a single mood, giving players the chance to inhabit different musical worlds while staying grounded in beautiful, singable melodies.

Who it's for

Concert bands at the Grade 3 level seeking accessible repertoire with immediate audience appeal. This arrangement works equally well for bands building confidence with recognizable material and ensembles looking to program something that connects with families and general music listeners.

How to get the most out of it

  • Balance the melodic material carefully between woodwinds and brass. Each of the three songs needs to breathe, so treat transitions as moments to reset blend and articulation rather than pressing forward.
  • The medley's effectiveness depends on smooth connections between songs. Mark rehearsal points clearly and use them to address how the ensemble shifts character and tempo without losing momentum.
  • Record a run-through early in rehearsals and listen as a group. Hearing how the three melodies sit together will help students understand what they're aiming for musically, beyond just reading the page.

How to use it

This works beautifully as a first-half closer on a concert, where its accessibility and recognizability can draw in an audience before intermission. Pair it with one heavier classical work to show range, or program it alongside other pop or film-inspired arrangements to create a thematic set that showcases contemporary arranging.

Skills your students will build

  • Phrasing and shaping of melodic lines across multiple song sections
  • Transitioning between different tempos and characters within a single piece
  • Balancing melody and accompaniment across multiple instrumental families
  • Reading and executing cueing patterns when melodic responsibility shifts between sections

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