Pure Imagination Cover Image

Pure Imagination: SSA Choral Octavo

$2.10 USD
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Pure Imagination Cover Image

Pure Imagination: SSA Choral Octavo

From Willy Wonka and the Chocolate Factory

Words and music by Leslie Bricusse and Anthony Newley / arr. Jay Althouse

Item: 00-37984

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Description
"Come with me, and you'll be in a world of pure imagination." It's pure joy to sing this hauntingly lovely and inspirational song, originally performed by Gene Wilder in the musical Willy Wonka and the Chocolate Factory. Featured in season 2 of Glee.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
UPC: 038081424569
SKU: 00-37984

More about this title

About the Composer: Leslie Bricusse

Leslie Bricusse is a British composer and lyricist whose theatrical works have defined musical theater for generations. He created the score for Willy Wonka and the Chocolate Factory alongside Anthony Newley, composing melodies that capture both whimsy and emotional depth in equal measure.

Bricusse's gift for writing songs that work across age groups and skill levels makes his music a staple in educational choral settings. His ability to blend accessibility with genuine artistry means students encounter real compositional craft, not simplified versions.

Why we love this

Jay Althouse's arrangement captures the song's signature magic without requiring technical virtuosity from singers. The SSA voicing sits comfortably in the middle school range while preserving the song's hauntingly beautiful character, making it equally effective in concert or as a showpiece moment in a larger program.

What to expect

The song inhabits a space between tenderness and wonder. Singers experience the gentle vulnerability of the melody while the harmonies create a dreamy, almost ethereal backdrop that explains why this piece has endured across decades and musical contexts.

Who it's for

Middle school and high school choirs seeking a crossover piece that feels contemporary without sacrificing musicality. This arrangement works equally well for general music classes, treble voice ensembles, or concert choirs programming a show tune alongside classical repertoire.

How to get the most out of it

  • Shape the phrase contours deliberately. This song thrives on lyrical singing rather than rhythmic precision, so encourage singers to breathe musically and sustain the emotional arc across longer lines.
  • Balance the altos carefully. In SSA voicing, the alto line often carries harmonic weight; make sure those singers understand they're not supporting texture but contributing essential color to the vertical sonority.
  • Use the recorded accompaniment during rehearsal to lock the ensemble's independence from the piano. Once singers feel secure, rehearse without it to develop stronger musical ownership.

How to use it

Program this as a bridge piece connecting a classical or a cappella section to more contemporary material. Its familiarity from Glee creates immediate audience connection, while the lyricism commands genuine attention rather than casual enjoyment.

Skills your students will build

  • Sustaining melodic lines with consistent legit tone
  • Balancing melody against harmonic accompaniment in three-part texture
  • Interpreting dynamic shape to enhance emotional narrative
  • Singing character music that requires restraint and subtlety rather than projection

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