Pure Imagination Cover Image

Pure Imagination: TTBB Choral Octavo

$2.10 USD
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Pure Imagination Cover Image

Pure Imagination: TTBB Choral Octavo

From Willy Wonka and the Chocolate Factory

Words and music by Leslie Bricusse and Anthony Newley / arr. Jay Althouse

Item: 00-39743

$2.10
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Description
"Come with me, and you'll be in a world of pure imagination." It's pure joy to sing this hauntingly lovely and inspirational song, originally performed by Gene Wilder in the musical Willy Wonka and the Chocolate Factory. Featured in season 2 of Glee.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
UPC: 038081444048
SKU: 00-39743

More about this title

About the Composer: Leslie Bricusse

Leslie Bricusse is a British composer and lyricist whose work spans stage musicals, film scores, and popular song. His partnership with Anthony Newley produced some of the most enduring theatrical music of the 1960s and 1970s, including the Oscar-nominated "Pure Imagination" from Willy Wonka and the Chocolate Factory. Bricusse's gift for melody and his ability to craft lyrics that resonate across generations have made his songs staples of music education and popular performance.

Why we love this

This arrangement captures the gentle dreaminess of the original while giving men's voices a chance to explore lyrical, soaring writing. Jay Althouse's voicing preserves the song's emotional core without demanding extreme ranges, making it accessible for developing choirs while remaining satisfying for stronger ensembles. The harmonic language is rich enough to engage singers musically, and the Glee connection gives it real currency with students.

What to expect

Stepping into a moment of quiet wonder and possibility. The melody floats with a sense of lightness and hope, while the harmonies create an almost ethereal backdrop that lifts the voice upward. Singing this arrangement feels like being invited into an intimate space where imagination and aspiration meet.

Who it's for

Men's choirs at the intermediate to advanced level, as well as mixed choirs looking to feature their men's sections. The song's accessibility makes it suitable for developing singers, while its harmonic sophistication and emotional depth reward more experienced ensembles. This octavo works equally well in concert settings, community events, or musical theatre programs.

How to get the most out of it

  • Treat the opening phrase as a gentle invitation rather than a powerful statement; let the vulnerability of the text guide your dynamics and phrasing.
  • Balance the voices so the melody remains clear while the lower parts provide warmth and support without overwhelming.
  • Lean into the aspirational quality of the text by keeping vibrato controlled and tone centered, especially on sustained passages.
  • Use the recorded accompaniment to lock ensemble precision, then gradually reduce your reliance on it during rehearsals to build confidence in intonation.

How to use it

This piece shines as a contrasting moment in a concert program, offering emotional depth and accessibility between more dramatic selections. Consider programming it to highlight your men's voices or as a bridge into a set of contemporary choral music. Its movie and television heritage also makes it a natural fit for pops concerts or themed programs celebrating musical theatre.

Skills your students will build

  • Legit phrasing in contemporary choral music
  • Balancing lyrical melody with harmonic color
  • Sustaining tone and breath control over longer phrases
  • Blend and intonation in four-part writing
  • Interpretation of text-driven expression

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