Presto: String Orchestra Conductor Score & Parts

$60.00 USD

Presto: String Orchestra Conductor Score & Parts

Name: Presto: String Orchestra Conductor Score & Parts
Brand: Alfred Music
SKU: 00-50815
Price: 60.00 USD
Availability: InStock

From Symphony No. 1, K. 16

By Wolfgang Amadeus Mozart / arr. Anthony Granata

Grade: 2.5

Item: 00-50815

Need it now?

Buy Digital Version

$60.00

Shipped

One moment…

While his father was critical of his son's earliest works, audiences and musicians have grown to love and adore the simplistic beauty of young Mozart's first symphony. The third movement, "Presto" (from Symphony No. 1, K. 16), by Wolfgang Amadeus Mozart and arranged by Anthony Granata, is a perfect choice for late beginner and early intermediate orchestras. Re-written from the original key of E-flat major to G major, the work foreshadows the great masterpieces yet to come. Your students will be enticed and challenged by the young genius's first symphony, including original articulations, hooked bowings, accidentals, and dynamics. (2:00)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Presto: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Open in the Player

Jump straight in and assign it today.

Start Your Free Trial

Open this title and explore the full library in minutes.

Series: Belwin Intermediate String Orchestra

Publisher: Alfred Music

ISBN10: 1-4706-6629-4

ISBN13: 978-1-4706-6629-3

UPC: 038081584904

SKU: 00-50815

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756-1791) composed his first symphony at age eight during a family concert tour through Europe. Though his father Leopold initially dismissed these youthful works, Mozart's early symphonies reveal a composer already commanding the classical form, balancing structural clarity with melodic invention that would define his mature style.

For student orchestras, Mozart's early symphonies offer an accessible entry point into the classical repertoire. The writing is transparent and gratifying; students hear themselves as part of a coherent musical architecture rather than as accompaniment, and the technical demands remain reasonable enough to allow focus on ensemble fundamentals.

Show moreShow less

Why we love this

This arrangement gives orchestras a legitimate classical masterwork without overwhelming them technically. The transposition to G major opens the piece to broader instrumentation while Granata preserves Mozart's original articulations and bowings, so students encounter authentic stylistic details from the first page. It's the rare Grade 2.5 piece that feels substantive rather than simplified.

What to expect

Energetic and purposeful, with the characteristic clarity of classical style. The rapid note patterns give the music a sense of urgency and youthful exuberance, while the harmonic progressions remain predictable enough to feel satisfying and resolved. There's buoyancy here, not heaviness.

Who it's for

Late beginner and early intermediate string orchestras ready to engage with genuine classical repertoire. This works for orchestras that have solid rhythmic foundation and can manage basic dynamic control but still benefit from transparent scoring and straightforward harmonic language.

How to get the most out of it

Establish a clear, danceable pulse in the Presto tempo. Mozart's early symphonies thrive on forward motion; resist the urge to linger on individual phrases.
Attend carefully to the hooked bowings and articulation markings. These aren't decorative; they define the texture and energy of the movement.
Balance the first violin line without burying the inner voices. The harmony supports and complements the melody, and students need to hear how all parts work together.
Shape phrases across the bar line rather than treating each measure as an isolated unit. This teaches students to hear the larger melodic gesture beneath the surface activity.

How to use it

Program this as a palate-cleanser between Romantic or contemporary works, or pair it with other early classical pieces to build a thematic concert around the classical period. The two-minute duration makes it valuable for festival competitions or as a strong opener that sets a professional tone for a concert.