Possibilities... Cover Image

Possibilities...: String Orchestra Conductor Score

$5.00 USD
Sale price  $5.00 USD Regular price 
Skip to product information
Possibilities... Cover Image

Possibilities...: String Orchestra Conductor Score

By Brian Balmages

Grade: 3

Item: 98-ST6285S

$5.00
Shipped

One moment…

Description
Take your ensemble to the next musical level with this inspirational work based on a powerful quote by Russian-American novelist Ayn Rand. Scored for strings and piano, the long, lyrical lines remind us that we should never give up our dreams - they do exist, and they are possible. An emotional and stunning masterpiece.

Possibilities...: String Orchestra Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 241444568132
SKU: 98-ST6285S

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has built an international reputation composing across orchestral, band, and chamber idioms. His works have premiered at Carnegie Hall, the Kennedy Center, Sydney Opera House, and the Toronto Centre for the Arts, performed by ensembles spanning from professional symphonies to elementary school orchestras. He received the A. Austin Harding Award from the American School Band Directors Association and won the 2020 NBA William D. Revelli Composition Contest for Love and Light.

Balmages holds membership in the American Bandmasters Association and has received distinguished alumni recognition from both James Madison University and the University of Miami, where he was commissioned to compose for the presidential inauguration. His music was performed at the 2013 Presidential Inaugural Prayer Service. As a conductor, he guests regularly with all-state and regional ensembles, university orchestras, and professional groups worldwide, including appearances at the Midwest Clinic, Western International Band Clinic, and state ASTA conferences. He currently serves as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic.

Why we love this

Balmages anchors this piece in genuine lyricism rather than technical showmanship. For Grade 3 ensembles, the long vocal lines and piano partnership create real expressive opportunities without demanding virtuosity, allowing students to discover how restraint and melody can move an audience more powerfully than complexity.

What to expect

Possibilities... breathes like a hymn without being hymnal. The writing opens space for reflection, with long lines that ask both players and listeners to sit with sustained beauty and quiet determination. There's an almost contemplative quality despite the message of aspiration.

Who it's for

String orchestras at the intermediate level seeking accessible yet emotionally substantial repertoire. This piece works for directors who want their ensembles to experience the rewards of lyrical, song-like playing without technical barriers.

How to get the most out of it

  • Shape the melodic lines with a clear sense of direction. Grade 3 violinists often play note-to-note; help them hear the arc of the phrase and conduct through longer phrase structures so bows and dynamics follow the contour naturally.
  • Balance the string layers carefully so the piano partnership remains conversational, not accompaniment-driven. The work asks pianists to be equal partners, and your string players should listen actively to that dialogue.
  • Establish a comfortable tempo that allows the ensemble to breathe with the lyrical writing. Rushing through the long lines undermines the emotional weight Balmages intends.
  • Use the Rand quote as a rehearsal anchor. Reference it when students lose shape in sustained passages; the philosophical content genuinely supports the musical choices.

How to use it

This makes an ideal opening to a concert emphasizing emotional depth and contemporary voices in string literature. You might pair it with contrasting repertoire (rhythmic, energetic works) to highlight its introspective character, or program it as part of a thematic evening around literature, inspiration, or personal resilience.

Skills your students will build

  • Sustaining long melodic lines with consistent tone and intonation
  • Listening to and balancing with piano accompaniment
  • Shaping phrases with clear direction and architectural awareness
  • Expressing emotional content through musical choices beyond technique
  • Ensemble blend in layered string textures

You May Also Like