"Pops" Hoe Down Cover Image

"Pops" Hoe Down: Full Orchestra, Ensemble Works Conductor Score

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"Pops" Hoe Down Cover Image

"Pops" Hoe Down: Full Orchestra, Ensemble Works Conductor Score

By Richard Hayman

Item: 36-A601101

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Description
Richard Hayman (1920-2014) had a very successful career as chief music arranger for the Boston Pops Orchestra, an association that lasted over 50 years, and also served as a pops conductor for various orchestras including the Detroit Symphony Orchestra, the St. Louis Symphony, and the Grand Rapids Symphony. His "Pops" Hoe-Down includes the followings songs: The Devil's Dream, Chicken Reel, Thunder Hornpipe, Paddywhack, Pop Goes the Weasel, Miss McCloud's Reel, Turkey in the Straw, Soldier of Joy Hornpipe, Stop Buck, Rakes & Mallow, Lamplighter's Hornpipe, Devil's Dream (Reprise). Instrumentation: 2+Picc.2+EH(opt).2+BCl(opt):2+CBsn(opt): 4.4.3.1: Perc(5): Harmonica(opt).Hp(opt).Pno: Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Symphonic Pops
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852037-6
ISBN13: 979-8-88-852037-6
UPC: 676737844936
SKU: 36-A601101
Instrumentation: Full Orchestra, Ensemble Works

More about this title

About the Composer: Richard Hayman

Richard Hayman (1920-2014) spent more than five decades as the chief music arranger for the Boston Pops Orchestra, establishing himself as one of the most prolific arrangers in American popular music. Beyond Boston, he served as pops conductor for major orchestras including the Detroit Symphony, St. Louis Symphony, and Grand Rapids Symphony, building a reputation for making accessible, energetic arrangements that audiences loved.

Why we love this

Hayman's gift for orchestral color and rhythmic vitality shines throughout this collection. The arrangement balances humor and musicality without ever feeling condescending, and the flexible instrumentation (optional parts for English horn, bass clarinet, contrabassoon, harmonica, and harp) lets you program it whether your orchestra is fully staffed or working with available players.

What to expect

Spirited, rustic, and thoroughly American. Hayman channels the energy of barn dances and fiddle contests through a full orchestral lens, evoking wide-open landscapes and the joy of communal music-making. The writing is celebratory without sentimentality, folk-rooted yet polished.

Who it's for

This conductor score serves orchestras at the community and youth levels that want to program a crowd-pleasing pops concert with substance and orchestral color. Directors with access to a full orchestra instrumentation will find the work rewarding, though the flexible optional parts make it adaptable to varying ensemble sizes.

How to get the most out of it

  • Invest rehearsal time in the rhythm section's precision. These fiddle tunes and reels demand crisp articulation and lively momentum; the more locked in your bass and timpani are, the more the melodic lines will sing.
  • Bring out the joy in the countermelodies and inner voices. Hayman layers folk material generously, so encourage woodwind and string sections to listen across the ensemble and balance their parts so nothing disappears.
  • Shape each tune's character distinctly. The Chicken Reel differs rhythmically and emotionally from the Lamplighter's Hornpipe; small choices in articulation and rubato prevent the medley from blurring together.
  • Use the optional harmonica (if you have a player) to anchor the folk idiom and add authentic color, but don't let it overwhelm the orchestral texture.

How to use it

Program this as an accessible opener or closer for a pops concert, or pair it with lighter classical fare to create a family-friendly first half. The medley structure and tuneful orchestration make it ideal for community concerts where you want to engage audiences unfamiliar with concert music while showcasing your orchestra's range and color.

Skills your students will build

  • balancing inner-voice orchestration to maintain clarity across 12 connected reels and hornpipes
  • conducting consistent rhythm and articulation in folk-based material with varying metric and rhythmic characters
  • managing optional instrumental parts and making real-time decisions about orchestration based on ensemble composition
  • shaping character and pacing transitions between distinct tunes within a medley structure

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