"Pops" Hoe Down Cover Image

"Pops" Hoe Down: Full Orchestra, Ensemble Works Conductor Score & Parts

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"Pops" Hoe Down Cover Image

"Pops" Hoe Down: Full Orchestra, Ensemble Works Conductor Score & Parts

By Richard Hayman

Item: 36-A601102

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Description
Richard Hayman (1920-2014) had a very successful career as chief music arranger for the Boston Pops Orchestra, an association that lasted over 50 years, and also served as a pops conductor for various orchestras including the Detroit Symphony Orchestra, the St. Louis Symphony, and the Grand Rapids Symphony. His "Pops" Hoe-Down includes the followings songs: The Devil's Dream, Chicken Reel, Thunder Hornpipe, Paddywhack, Pop Goes the Weasel, Miss McCloud's Reel, Turkey in the Straw, Soldier of Joy Hornpipe, Stop Buck, Rakes & Mallow, Lamplighter's Hornpipe, Devil's Dream (Reprise). Instrumentation: 2+Picc.2+EH(opt).2+BCl(opt):2+CBsn(opt): 4.4.3.1: Perc(5): Harmonica(opt).Hp(opt).Pno: Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Symphonic Pops
Publisher: Keiser Productions, Inc.
UPC: 676737769765
SKU: 36-A601102
Instrumentation: Full Orchestra, Ensemble Works

More about this title

About the Composer: Richard Hayman

Richard Hayman (1920-2014) spent more than five decades as the Boston Pops Orchestra's chief music arranger, a tenure that shaped the sound of American popular orchestral music in the mid-to-late twentieth century. His work extended beyond Boston; he served as pops conductor for major orchestras including the Detroit Symphony, St. Louis Symphony, and Grand Rapids Symphony, establishing himself as a master of accessible, energetic arrangements that brought folk and traditional American music to concert audiences.

Why we love this

Hayman's arrangement captures the exuberance and humor of American fiddle traditions without condescension or oversimplification. The orchestration accommodates flexible instrumentation (optional harmonica, harp, English horn, bass clarinet) so you can program it with what you have, while the material itself guarantees audience engagement and genuine musical satisfaction for your players.

What to expect

A rollicking celebration of American folk tradition, spirited and good-natured, with the full orchestral palette bringing genuine warmth to these timeless reels and hornpipes. The arrangement never feels quaint or nostalgic; instead it's immediate, buoyant, and genuinely fun to play.

Who it's for

This work suits conductors of full orchestras, youth orchestras, and pops ensembles seeking substantial, crowd-pleasing programming that sits at a moderate difficulty level. It appeals equally to communities hungry for American musical repertoire and to schools looking to showcase orchestral color and sectional independence.

How to get the most out of it

  • Balance the string section to let the fiddle melodies sing; the harmonic underpinning needs clarity without drowning out the character of each reel and hornpipe.
  • Align rhythmic energy across the percussion section, especially in the syncopated moments typical of American dance music. A unified approach to articulation keeps the "hoe down" spirit infectious.
  • Allow solo instruments (particularly woodwinds on alternating melody lines) their moment in the spotlight. Haym's orchestration often passes the tune around, so conductor ensemble work ensures smooth handoffs.
  • Keep tempo steady but buoyant; these pieces thrive on rhythmic momentum rather than rubato. Lock the conductor and rhythm section together early in rehearsal.

How to use it

Program this as a summer pops concert centerpiece or a family concert highlight where tradition-minded and younger audiences both feel at home. It pairs beautifully with other Americana repertoire or with lighter classical fare, and its multiple folk melodies give you natural thematic coherence across twelve distinct tunes.

Skills your students will build

  • Maintaining ensemble rhythmic cohesion in syncopated folk idioms
  • Executing clean melodic handoffs between instrumental sections
  • Balancing orchestral texture while preserving clarity of individual lines
  • Playing with stylistic character appropriate to American fiddle music
  • Managing optional instrumentation and adapting to available forces

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