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Pop Duets for All (Revised and Updated): Trombone, Baritone B.C., Bassoon, Tuba Book

$7.99 USD
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Pop Duets for All (Revised and Updated) Cover Image

Pop Duets for All (Revised and Updated): Trombone, Baritone B.C., Bassoon, Tuba Book

Playable on Any Two Instruments or Any Number of Instruments in Ensemble

Arr. Michael Story

Item: 00-30692

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Description
Pop Duets for All is a versatile, educational, and fun series intended for like or mixed instruments to perform in any size group or combination of instruments. All books are in score format with each line increasing in difficulty from Grade 1 to Grade 3-4. Alternate passages and notation are included to suit instrumental ranges. With no page turns required, the songs and measures are consistent which makes finding rehearsal points quick and convenient. Perfect for concerts with family and friends, recitals, auditions, and festivals. Available for brass, woodwinds, strings, and percussion. Titles are: I Got Rhythm * Wipeout * Splish Splash * What'd I Say * Over the Rainbow * The Merry-Go-Round Broke Down * Margaritaville * Scooby Doo, Where Are You? * The Lion Sleeps Tonight * Itsy Bitsy Teenie Weenie Yellow Polkadot Bikini * Domino * (Meet) The Flintstones (From "The Flintstones") * Bang the Drum All Day * Theme from New York, New York * Chattanooga Choo-Choo * You're the One That I Want * Raiders March.

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Additional Details
Series: For All Series
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-5429-5
ISBN13: 978-0-7390-5429-1
UPC: 038081333496
SKU: 00-30692
Instrumentation: Trombone, Baritone B.C., Bassoon, Tuba

More about this title

About the Arranger: Michael Story

Michael Story has built a reputation as one of the most prolific and trusted arrangers in music education, with hundreds of publications spanning concert band, jazz ensemble, and flexible instrumentation settings. His arrangements are known for maintaining the essential character of familiar melodies while carefully scaffolding difficulty levels, making them accessible to developing musicians without sacrificing musical integrity.

Why we love this

Story's pop selections here are instantly recognizable and genuinely fun to play, which matters enormously when you're working with students still building fundamentals. The consistent measure numbering across all parts and absence of page turns removes logistical friction, letting you focus on ensemble balance and blend rather than managing parts and rehearsal logistics.

What to expect

Playful and energetic. These arrangements bring the personality of pop standards and novelty songs to the lower brass and woodwind voices, creating opportunities for genuine ensemble joy. The straightforward harmonic writing and familiar melodies mean students can focus on listening to their partners and locking into the groove rather than decoding complex notation.

Who it's for

Trombone, baritone, bassoon, and tuba players working at grades 1-4 who need accessible pop repertoire for small ensembles, mixed-instrument groups, or flexible combinations. Ideal for students in their first or second year of study seeking real musical experience rather than drill-based material.

How to get the most out of it

  • Balance the melody line with accompaniment by ear during early rehearsals; the lower voices provide harmonic foundation but should never bury the tune.
  • Match articulation style across both parts to unify the sound, especially in the more rhythmically active arrangements like 'Wipeout' and 'Domino.'
  • Use the range markings to place students strategically; Grade 1 players can handle primary melodies while Grade 2-3 students anchor the harmony.

How to use it

Slot these into informal concerts, family recitals, and end-of-unit performances where approachability and audience familiarity are assets. They pair well with traditional concert band fare as lighter bookend pieces, or use them as warm-up material to build section cohesion and intonation awareness in rehearsal.

Skills your students will build

  • Reading flexible instrumentation and adapting to unfamiliar ensemble combinations
  • Maintaining consistent rhythmic precision across different instrument doublings and registers
  • Balancing melody and harmony parts in a duet context
  • Interpreting style and phrasing across pop idioms
  • Quick part identification and efficient rehearsal navigation without page turns

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