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Pop Duets for All (Revised and Updated): Cello/Bass Book

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Pop Duets for All (Revised and Updated) Cover Image

Pop Duets for All (Revised and Updated): Cello/Bass Book

Playable on Any Two Instruments or Any Number of Instruments in Ensemble

Arr. Michael Story

Item: 00-30695

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Description
Pop Duets for All is a versatile, educational, and fun series intended for like or mixed instruments to perform in any size group or combination of instruments. All books are in score format with each line increasing in difficulty from Grade 1 to Grade 3-4. Alternate passages and notation are included to suit instrumental ranges. With no page turns required, the songs and measures are consistent which makes finding rehearsal points quick and convenient. Perfect for concerts with family and friends, recitals, auditions, and festivals. Available for brass, woodwinds, strings, and percussion. Titles are: I Got Rhythm * Wipeout * Splish Splash * What'd I Say * Over the Rainbow * The Merry-Go-Round Broke Down * Margaritaville * Scooby Doo, Where Are You? * The Lion Sleeps Tonight * Itsy Bitsy Teenie Weenie Yellow Polkadot Bikini * Domino * (Meet) The Flintstones (From "The Flintstones") * Bang the Drum All Day * Theme from New York, New York * Chattanooga Choo-Choo * You're the One That I Want * Raiders March.

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Additional Details
Series: For All Series
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-5432-5
ISBN13: 978-0-7390-5432-1
UPC: 038081333526
SKU: 00-30695
Instrumentation: Cello/Bass

More about this title

About the Arranger: Michael Story

Michael Story has established himself as a prolific arranger and composer for school and community ensembles, with a particular gift for making popular music accessible across ability levels. His work in the For All Series demonstrates a deep understanding of how students at different stages develop musicianship through repertoire that matters to them.

Why we love this

This collection captures the joy of playing recognizable pop songs while solving a genuine problem: finding string duets that don't bore students or demand more than their current technique allows. The graduated difficulty within a single book means your entire section can play together, and the song selection spans decades of actual hits that students want to perform.

What to expect

Energetic and instantly recognizable. These are songs that make audiences smile the moment the opening notes sound familiar, whether you're playing a swing-era standard or a 1980s one-hit wonder. The arrangements sit comfortably in the string register and breathe with the rhythmic swagger of popular music rather than fighting against it.

Who it's for

Cellists and bassists in Grade 1 through Grade 3-4 who want to perform duets without being limited to classical pairings. String directors building ensembles with mixed ability levels will find this especially useful, as the graduated lines let advanced and developing players contribute equally to the same repertoire.

How to get the most out of it

  • Lock in a steady pulse with your duet partner before worrying about articulation or dynamics; these melodies are built on strong rhythmic grooves that anchor everything else.
  • Use the consistent measure numbering across all parts to establish quick rehearsal points without flipping through different page layouts.
  • Layer dynamics gradually once the notes are secure; many of these songs thrive on contrast between verses and choruses, so plan those shape conversations early.
  • Blend your tone quality with your partner by matching vibrato width and speed; pop arrangements often rely on textural unity to sit well in a room.

How to use it

Pair this with your chamber concert series to create a lighter program segment that bridges classical and contemporary audiences. Works equally well for school family nights, community partnerships, or audition preparation where students benefit from playing recognizable material at comfortable tempos.

Skills your students will build

  • Reading duet parts with consistent measure numbering and format
  • Balancing melodic and harmonic roles with an ensemble partner
  • Adapting phrasing and dynamics to match pop song structures (verses, choruses, breaks)
  • Sight-reading within Grade 1-4 difficulty ranges across a varied repertoire
  • Understanding how range-specific notation (cello vs. bass considerations) maintains ensemble blend

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