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Pop Duets for All (Revised and Updated): Flute, Piccolo Book

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Pop Duets for All (Revised and Updated) Cover Image

Pop Duets for All (Revised and Updated): Flute, Piccolo Book

Playable on Any Two Instruments or Any Number of Instruments in Ensemble

Arr. Michael Story

Item: 00-30686

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Description
Pop Duets for All is a versatile, educational, and fun series intended for like or mixed instruments to perform in any size group or combination of instruments. All books are in score format with each line increasing in difficulty from Grade 1 to Grade 3-4. Alternate passages and notation are included to suit instrumental ranges. With no page turns required, the songs and measures are consistent which makes finding rehearsal points quick and convenient. Perfect for concerts with family and friends, recitals, auditions, and festivals. Available for brass, woodwinds, strings, and percussion. Titles are: I Got Rhythm * Wipeout * Splish Splash * What'd I Say * Over the Rainbow * The Merry-Go-Round Broke Down * Margaritaville * Scooby Doo, Where Are You? * The Lion Sleeps Tonight * Itsy Bitsy Teenie Weenie Yellow Polkadot Bikini * Domino * (Meet) The Flintstones (From "The Flintstones") * Bang the Drum All Day * Theme from New York, New York * Chattanooga Choo-Choo * You're the One That I Want * Raiders March.

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Additional Details
Series: For All Series
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-5423-6
ISBN13: 978-0-7390-5423-9
UPC: 038081333434
SKU: 00-30686
Instrumentation: Flute, Piccolo

More about this title

About the Arranger: Michael Story

Michael Story is an arranger and composer whose work in the educational music space has shaped how young musicians encounter contemporary repertoire. His arrangements are known for balancing accessibility with musical integrity, making pop and jazz standards engaging across multiple skill levels without sacrificing the character of the original.

Why we love this

Story's arrangement choices prioritize the flute and piccolo voices in genuinely musical ways rather than relegating them to harmonic padding. The graduated difficulty within a single score allows you to cast the parts strategically, so a strong flutist can carry a melody while a developing player handles a supporting line in the same rehearsal.

What to expect

Familiar melodies sung back to you in a new form, with swing grooves, rhythmic punch, and the sparkle that only flute and piccolo can bring. The arrangements respect the pop originals while framing them as instrumental conversations where both players matter equally.

Who it's for

Flute and piccolo players at the early intermediate through intermediate level who want repertoire that sounds polished and contemporary without requiring advanced technique. Small ensembles, duet recitals, and youth orchestras will find this series immediately practical for concerts and festivals.

How to get the most out of it

  • Balance the duet voices by listening for which part carries the primary melodic material in each section; adjust dynamic levels to let that voice project clearly without drowning out the counterpart.
  • Coordinate articulation between flute and piccolo parts, especially in syncopated figures common to the pop idiom; lock the rhythmic feel before polishing tone.
  • Experiment with piccolo entries to brighten transitions between sections; the higher register can signal formal changes without awkward dynamic jumps.
  • Use the flexible instrumentation to your advantage in rehearsal by rotating who plays which part, building ensemble awareness and preventing single-voice dependency.

How to use it

Slot these duets into family concerts and spring recitals where they'll land with recognition and warmth. They also work brilliantly as standalone intermission pieces or as part of a mixed-instrument pops program where flute duets can highlight the woodwind section without requiring full ensemble rehearsal.

Skills your students will build

  • Reading and performing duet textures with independent melodic lines
  • Balancing tone and dynamics between two voices in close register
  • Coordinating syncopated rhythms and swing articulation typical of pop idioms
  • Navigating piccolo part writing and managing register shifts
  • Executing quick rehearsal point identification within score format

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