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This arrangement by David Lantz III captures the warmth and optimism that made the original a standard while shaping it for choir singers. The voicing feels natural to the ensemble, allowing choral blend to enhance rather than obscure Styne's distinctive melody. Programming a well-known Broadway hit alongside more contemporary material signals to audiences that standards belong on concert programs.

Optimistic and warm, with the kind of straightforward sincerity that Broadway standards deliver so effectively. The arrangement sits comfortably in most voices, allowing singers to focus on musicality and storytelling rather than technical strain.

Choirs with solid fundamentals and a mix of experienced and developing singers will find this accessible without being simple. Directors preparing a concert with Broadway or 20th-century American music focus will find this a natural centerpiece that audiences recognize immediately.

• Shape the melodic line with long phrases rather than stopping at bar lines; Styne's melodies breathe across musical phrases, not within them.
• Balance brightness in the upper voices against a supported bass line that anchors the harmonic foundation without overweighting.
• Reference the recorded accompaniment to internalize the groove and harmonic movement, then find your own ensemble sound on top of it.
• Emphasize clear diction on the text to let the familiar melody work for you; undersinging the phrase will make the song feel precious rather than confident.

Pair this with other Styne compositions or cluster it within a Broadway medley that celebrates American musical theater. Its familiar melody makes it an excellent closer or a bridge between classical and contemporary sets, signaling a shift in concert mood without losing musical credibility.

• Singing Broadway phrasing with legit vowels
• Balancing melody and harmonic support in mixed voicing
• Interpreting a standard while respecting its original character
• Coordinate with accompaniment without rhythmic independence loss