People: SATB Choral Octavo

David Lantz III's arrangement respects the song's emotional core while giving it space to breathe in a choral setting. The optional flugelhorn part adds warmth and color without complicating the ensemble's work, and the familiar lyrics mean your choir can focus on musicianship rather than learning unfamiliar text.

Warm and introspective, with undercurrents of tenderness. The arrangement honors the song's vulnerability while maintaining polish; singing it feels like sharing something personal rather than performing a showstopper.

Choirs with secure SATB balance and the ability to maintain long lines over understatement. This works for mixed groups at the high school level and above, as well as adult choirs looking for accessible Broadway material with genuine substance.

• Shape the phrase as a single arc from beginning to end. Resist the urge to punctuate at every bar line; the song's power comes from sustained line and lyrical connection.
• Balance the accompaniment carefully so the harmonic richness supports rather than overwhelms the singing. This arrangement rewards a lighter, more intimate approach than a big belt.
• If you use the flugelhorn, give that player space to breathe. The instrument's mellow quality works best when it floats above the texture rather than anchoring it.
• Let the text do the emotional work. The words carry the meaning, so articulation and phrasing should stay conversational and natural.

Pair this with other Styne or Rodgers and Hammerstein selections for a Broadway-focused concert, or use it as a bridge between classical and popular styles in a mixed program. Its moderate length and emotional directness also make it effective as a second or third piece in a concert, where it can provide contrast to more complex repertoire.

• Sustaining long melodic lines with consistent tone quality
• Balancing SATB harmony in a jazz-influenced harmonic setting
• Shaping lyrical phrasing across entire phrases rather than measure-by-measure
• Blending pop and musical theater style with choral discipline
• Coordinate with optional instrumental accompaniment (flugelhorn)