Pennsylvania 6-5000 Cover Image

Pennsylvania 6-5000: Concert Band Conductor Score & Parts

$55.00 USD
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Pennsylvania 6-5000 Cover Image

Pennsylvania 6-5000: Concert Band Conductor Score & Parts

Music by Jerry Gray, lyric by Carl Sigman / arr. Victor López

Grade: 1 (Very Easy)

Item: 00-CBM04013

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Description
With all the charisma of the original, "Pennsylvania 6-5000" is a treat for your beginners . . . Of course you'll have to explain the Pennsylvania exchange concept from the pre-touchtone days. The chart offers lots of opportunity to be creative with the ringing sounds---bring it up to date by using a cell phone ring! Take a journey through musical---and communication---history with this energetic tune. (1:45)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Pennsylvania 6-5000: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Beginning Band
Publisher: Alfred Music
Page Count: 170
UPC: 654979084754
SKU: 00-CBM04013

More about this title

About the Composer: Jerry Gray

Jerry Gray was an arranger and composer whose work became synonymous with the big band sound of the 1940s. He wrote for and arranged for some of the era's most prominent orchestras, crafting charts that balanced accessibility with genuine musicianship. His ability to capture the energy and character of a song made his arrangements instantly recognizable and enduringly popular.

Why we love this

Victor López's arrangement strips away none of the original's infectious bounce while making it genuinely playable for beginning bands. The orchestration lets early-level players carry real musical weight, which builds confidence fast. Opening rehearsals with this one guarantees immediate engagement; the tune practically teaches itself.

What to expect

Bright and propulsive, with a nostalgic wink built in. The tune bounces with mid-century swing energy while the phone-ring concept invites playfulness. Orchestrated to sparkle without requiring virtuosity, it captures the thrill of a famous number without the weight.

Who it's for

Beginning concert bands hungry for material that works on both musical and cultural levels. Directors seeking a lighthearted opener that doesn't condescend to young players will find this invaluable.

How to get the most out of it

  • Layer the phone ring element strategically. Start with a single bell or triangle, then add more parts as the tune repeats to create the effect of a switchboard lighting up.
  • Balance the melody across your sections rather than concentrating it in one. This exposes young players to blend and forces them to listen horizontally.
  • Keep the tempo steady but not stiff. The swing feel depends on restraint in the rhythm section; have them practice with a metronome at different tempos to find what clicks.
  • Shape the dynamic contours clearly. Beginners often play straight through; marking each phrase's arrival and release point transforms this from mechanical to genuinely snappy.

How to use it

Perfect as an opening or encore at a concert featuring other pop standards or novelty pieces. The built-in historical hook gives you natural talking points before the performance. Consider pairing it with other communication-themed pieces to create a quirky thematic set.

Skills your students will build

  • Maintaining steady tempo in a swing idiom
  • Balancing melody across multiple sections
  • Playing with dynamic shape and phrasing
  • Reading simple syncopated rhythms
  • Coordinate with percussion effects and cues

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