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Pavanne: Concert Band Conductor Score & Parts

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Pavanne: Concert Band Conductor Score & Parts

From American Symphonette No. 2, Mvt. 2

By Morton Gould / arr. Chris M. Bernotas

Grade: 2.5

Item: 00-51842

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Description
One of Gould's most famous and frequently performed works, Pavanne, has been skillfully arranged for young bands by Chris M. Bernotas. This unabridged arrangement preserves the jazz-influenced style and memorable melodic themes of the original while offering more accessible range demands, modern instrumentation, and orchestration tailored for intermediate-level ensembles. Featuring an exciting part for a trumpet soloist, this piece provides an excellent opportunity for bands to explore lighter textures and dynamic contrasts. With a wealth of teaching opportunities, this rendition of a classic band piece is perfect for developing musicianship and ensemble skills. (3:30)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Pavanne: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Young Band
Publisher: Alfred Music
ISBN10: 1-4706-7672-9
ISBN13: 978-1-4706-7672-8
UPC: 038081599052
SKU: 00-51842

More about this title

About the Composer: Morton Gould

Morton Gould (1913-1996) was an American composer and conductor whose gift for accessible, tuneful writing made him a staple of American concert halls and school music programs. His works span multiple genres—from symphonies and ballets to film scores and band music—and consistently demonstrate an ear for memorable melody and idiomatic orchestration that engages both performers and audiences.

Why we love this

Pavanne hits that sweet spot where musical substance meets ensemble joy. Gould's original tune has real character and harmonic interest, but Bernotas has resized it intelligently for young bands without sacrificing the jazz-tinged sophistication that makes the piece sing. The trumpet solo draws strong soloists into your section and gives the ensemble a clear focal point to support.

What to expect

Elegant and gently swaying, with the warmth of a classic American tune filtered through jazz-tinged harmonies. The piece moves with a dancer's grace, never hurried, with moments of lush orchestration that feel generous and full despite the intermediate instrumentation.

Who it's for

Intermediate concert bands (Grade 2.5) looking for a stand-alone contest or festival piece that builds musicianship without overwhelming younger ensembles. Conductors seeking literature that combines accessible ranges with genuine musical substance will find Pavanne an excellent fit for bands building confidence in style variety and solo accompaniment.

How to get the most out of it

  • Shape the melodic line with dynamic swell and release; resist playing it straight. Gould's themes benefit from gentle swaying that mirrors a dance rather than a march.
  • Balance the trumpet soloist generously in the featured sections. The accompaniment should recede enough for the solo voice to sit comfortably without projection strain.
  • Listen for ensemble intonation during the jazz-influenced harmonic progressions; tuning shifts slightly in more chromatic moments.
  • Use the full time signature and tempo marking to establish an unhurried pace. Rushing this piece flattens its lyrical quality.

How to use it

Program Pavanne as a bridge between march traditions and contemporary band literature. Its concert-length duration (3:30) and lighter character make it ideal as a spring concert centerpiece or festival entry where you want to showcase musicianship and solo talent without demanding extreme technical ranges.

Skills your students will build

  • Sustaining long melodic phrases with shape and direction
  • Playing in jazz-influenced harmonic contexts and altered chord progressions
  • Accompanying a solo voice as an ensemble while maintaining ensemble cohesion
  • Dynamic contrast and stylistic flexibility within a single piece
  • Listening for intonation nuance in chromatic passages

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