Pavanne: Concert Band Conductor Score & Parts
From American Symphonette No. 2, Mvt. 2
By Morton Gould / arr. Chris M. Bernotas
Grade: 2.5
Item: 00-PK-0009233
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Pavanne: Score | $12.00 | |
| Pavanne: Flute | $3.00 | |
| Pavanne: Oboe | $3.00 | |
| Pavanne: Bassoon | $3.00 | |
| Pavanne: 1st B-flat Clarinet | $3.00 | |
| Pavanne: 2nd B-flat Clarinet | $3.00 | |
| Pavanne: B-flat Bass Clarinet | $3.00 | |
| Pavanne: E-flat Alto Saxophone | $3.00 | |
| Pavanne: B-flat Tenor Saxophone | $3.00 | |
| Pavanne: E-flat Baritone Saxophone | $3.00 | |
| Pavanne: 1st B-flat Trumpet | $3.00 | |
| Pavanne: 2nd B-flat Trumpet | $3.00 | |
| Pavanne: 1st F Horn | $3.00 | |
| Pavanne: 1st Trombone | $3.00 | |
| Pavanne: Baritone B.C. | $3.00 | |
| Pavanne: Baritone T.C. | $3.00 | |
| Pavanne: Tuba | $3.00 | |
| Pavanne: String Bass | $3.00 | |
| Pavanne: Mallets | $3.00 | |
| Pavanne: 1st Percussion | $3.00 | |
| Pavanne: Timpani | $3.00 |
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Pavanne: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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More about this title
About the Composer: Morton Gould
Morton Gould (1913-1996) was an American composer and conductor whose catalog spans classical, popular, and film music with equal facility. His concert works for band and orchestra became staples of American music education, prized for their accessibility, rhythmic vitality, and orchestral sophistication. Gould's gift for writing memorable melodies combined with his understanding of instrumental pedagogy made his music ideal for developing musicians.
Why we love this
This arrangement captures everything that makes Gould's original enduring: the jazz-tinged harmonies, the lyrical sweep, and the sophisticated harmonic language all remain intact while the orchestration opens the piece to younger ensembles without compromising its character. The trumpet solo provides a natural spotlight for a capable player while keeping the ensemble's technical demands reasonable, making it genuinely playable at Grade 2.5. Pavanne works equally well as a contest selection or a concert centerpiece, and audiences respond immediately to its warmth and style.
What to expect
Pavanne floats somewhere between classical elegance and American popular song, with jazz harmonies that shimmer beneath smooth melodic lines. The music unfolds with a graceful, unhurried character that feels both sophisticated and immediately approachable.
Who it's for
Intermediate concert bands seeking a piece that combines accessibility with genuine musical substance. Ensemble directors looking for a work that develops both musicianship and audience appeal will find Pavanne a reliable choice.
How to get the most out of it
- Balance the trumpet soloist carefully against the accompaniment; the melody should sing forward without the ensemble overwhelming the line.
- Shape the phrase arcs with subtle dynamic sculpting rather than abrupt contrasts; Pavanne's elegance depends on smooth transitions and breathing room.
- Let the jazz-inflected harmonies breathe. Avoid rushing; allow the syncopated figures in the accompaniment to sit comfortably within a relaxed tempo.
- Feature your best lyrical player in the trumpet solo section. This is as much about musical maturity as technical facility.
How to use it
Pavanne sits comfortably in a mixed concert program as an elegant, lighter interlude alongside more demanding works. It also stands as a strong choice for festival play, where judges consistently reward its combination of musical substance and clear, refined orchestration.
Skills your students will build
- Balancing solo lines against ensemble texture
- Executing jazz-influenced rhythmic figures and syncopation
- Phrasing lyrical material with dynamic subtlety
- Responding to harmonic color and voice leading
- Maintaining ensemble cohesion across varied orchestration