Organ Works, Opus 59 Cover Image

Organ Works, Opus 59: Organ Comb Bound Book

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Organ Works, Opus 59 Cover Image

Organ Works, Opus 59: Organ Comb Bound Book

By Max Reger

Item: 00-K02123

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Description
The first of three volumes of organ works by famed German organist/composer, Max Reger. This edition includes twelve organ solos from his opus 59. The comb binding creates a lay-flat book that is perfect for study and performance.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Organ Works, Opus 59: Organ Comb Bound Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 56
ISBN10: 0-7579-0261-8
ISBN13: 978-0-7579-0261-1
UPC: 654979993629
SKU: 00-K02123

More about this title

About the Composer: Max Reger

Max Reger (1873-1916) stands as one of the most prolific and technically demanding composers for the organ. A virtuoso performer himself, he wrote for the instrument with deep knowledge of its mechanical and musical capabilities, creating works that pushed both player and instrument to their limits. His organ compositions span nearly 150 pieces across multiple opus numbers, establishing him as a central figure in early twentieth-century organ literature.

Reger's approach to organ writing bridges Romantic expansiveness with structural rigor. He demanded fluent pedal technique, sophisticated harmonic language, and the ability to navigate rapid figuration across multiple manuals. His works remain staples in conservatory curricula and concert halls, valued equally by performers seeking technical challenge and audiences seeking compositional substance.

Why we love this

Opus 59 gives organists access to substantial yet focused solo material without the cathedral-scale demands of Reger's larger works. Each of these twelve pieces distills his compositional voice into compact forms, making them genuinely playable in recital settings while maintaining the harmonic sophistication and pedal figuration that make Reger essential repertoire.

What to expect

Dense, intricate harmonic language unfolds across manual and pedal lines with Romantic passion restrained by formal precision. The emotional world is intimate rather than bombastic, with moments of lyrical warmth interrupted by passages of technical brilliance that demand full command of the instrument.

Who it's for

Intermediate to advanced organists seeking substantial repertoire beyond the standard Baroque and Classical canon. Church musicians and concert organists will find these solos valuable for both liturgical use and recital programming.

How to get the most out of it

  • Clarify the manual divisions before rehearsing; Reger frequently moves between manuals for registration changes that shape phrasing. Marking these transitions in your score prevents confusion during performance.
  • The pedal writing requires consistent practice separate from the manual parts. Break it into smaller sections and develop independence before combining all three staves.
  • Attend to the harmonic rhythm and voice leading rather than rushing through rapid passages. Reger's chromaticism becomes musical only when heard with clarity and intentional voice movement.
  • Consider the acoustic of your performance space early. These pieces benefit from reverb, and adjusting tempo slightly to let harmonies bloom can make the difference between muddy and luminous.

How to use it

These pieces work particularly well in concert contexts where you want to showcase the organ's polyphonic and harmonic possibilities without committing to an entire evening of one composer. Pair individual solos with works from different eras to create variety, or program several Reger pieces consecutively to establish his evolutionary approach across the opus.

Skills your students will build

  • Independent pedal technique with complex rhythmic patterns
  • Reading multi-manual registration changes and executing them cleanly
  • Navigating chromatic harmony and dense voice leading
  • Controlling tempo and rubato within Romantic aesthetic
  • Managing rapid passage work across the keyboard without sacrificing articulation

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