Only the Lonely: Guitar TAB
The Soft Side of Hard Rock
Item: 00-PS-0013839
Pickup currently not available
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Description
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Additional Details
More about this title
About the Composer: Martha Davis
Martha Davis is best known as the lead vocalist and primary songwriter for The Motels, the new wave rock band that produced hits throughout the late 1970s and 1980s. Her gift for crafting memorable melodies and emotionally direct lyrics made her a distinctive voice in rock music. As a guitarist and bandleader, Davis understands what makes a rock ballad resonate both emotionally and musically, knowledge she brings to her arrangements.
Why we love this
This collection spans four decades of rock ballad repertoire, giving guitarists immediate access to songs that matter to them. The TAB notation paired with standard notation means students at different reading levels can work through the same material together, and the sheer range of artists keeps the book relevant to multiple generations of players.
What to expect
These 26 songs carry the weight of genuine emotion, from the hushed vulnerability of fingerpicked passages to the sustained power of full acoustic and electric arrangements. Playing through them feels less like technical study and more like connecting with songs that have resonated with audiences for decades.
Who it's for
Intermediate to advanced guitarists who want to build a repertoire of songs that appeal to listeners and showcase musicianship beyond technical display. This collection also works well for private teachers building a student's performance library or for guitarists preparing auditions and recitals.
How to get the most out of it
- Study the dynamics carefully. Rock ballads often build from intimate fingerpicked passages into fuller, strummed sections; these transitions require intentional volume control and tone shaping to land properly.
- Listen to the original recordings before drilling the TAB. These songs have distinctive rhythmic feels and phrasing that the notation alone won't fully capture; hearing how the artist shapes the melody informs your interpretation.
- Map out your hand positions before you play through a piece. Many of these arrangements use position shifts, and marking them on your copy prevents fumbling during performance.
- Pay attention to barre chord voicings. Several of these songs rely on specific chord colors and inversions that matter to the overall sound; substituting open chords will change the character significantly.
How to use it
Use selections from this collection as standalone recital pieces or pair complementary songs into a themed program (e.g., a Led Zeppelin evening, a Santana retrospective). The variety of tunings and styles means you can build a diverse setlist without straying from the ballad aesthetic.
Skills your students will build
- Reading TAB notation fluently alongside standard notation
- Interpreting dynamic shaping and phrasing in rock contexts
- Managing position shifts and hand transitions cleanly
- Distinguishing chord voicings and their harmonic colors
- Adapting fingerpicking patterns for longer sustain and resonance
- Matching articulation and tone to the original recorded performance