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One Small Star: Choral Octavo SoundTrax CD

$22.95 USD
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One Small Star Cover Image

One Small Star: Choral Octavo SoundTrax CD

Music by Sally K. Albrecht and Jay Althouse

Item: 00-23003

$22.95
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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081221861
SKU: 00-23003

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over thirty years as a composer, conductor, and clinician. Her catalog exceeds 600 published works alongside 75 musicals and songbooks, earning her consistent ASCAP Special Music Award recognition since 1987. She has led honor choirs at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and served as Director of School Choral and Vocal Publications at Alfred Music, where she shaped the company's educational choral catalog.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976) and the University of Miami (M.A. in Drama, 1979; M.M. in Accompanying, 1979). Her collaborative partnership with composer and arranger Jay Althouse has produced numerous works for choral educators. She has taught at Oakland University, Jersey City State College, and Meredith College, and received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College in 2021.

Why we love this

Albrecht and Althouse craft the kind of accessible sacred Christmas piece that works equally well for a concert finale or a community holiday performance. The melody sits naturally for mixed voices, and the recorded accompaniment gives smaller programs the orchestral fullness they need without requiring a separate instrumental ensemble.

What to expect

Warm and contemplative, with a melody that unfolds naturally over gentle harmonic support. The text and music create an intimate atmosphere, inviting listeners to pause and reflect during the busy holiday season.

Who it's for

Mixed-voice choirs and holiday programs seeking quality Christmas literature that doesn't demand instrumental accompaniment. The piece works for high school and adult choirs, as well as community and church ensembles of moderate size.

How to get the most out of it

  • Balance the octaves across your entire section; the piece succeeds when the melody feels unified rather than split between voice parts. Record a quick sectional run-through and listen back to hear where blend needs attention.
  • Let the accompaniment track support your opening entries. Singers often rush when learning new material; follow the recorded tempo faithfully through a few rehearsals before trusting the ensemble's internal pulse.
  • Shape the phrase endings with a gentle diminuendo rather than a full stop. This keeps the text and tune flowing and prevents the piece from feeling choppy in performance.

How to use it

Position this as a quieter moment in a holiday concert, perhaps following a more energetic opening number or as the final benediction piece. The recorded accompaniment also makes it useful for smaller ensemble performances or community holiday gatherings where orchestral resources aren't available.

Skills your students will build

  • Singing sustained melodic lines with consistent vowel shape
  • Blending octaves across soprano and alto (or tenor and bass) sections
  • Following a recorded accompaniment while maintaining independent ensemble rhythm
  • Shaping phrase contours with dynamic control
  • Singing sacred text with intentional diction and reverence

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