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One Foot: Concert Band Conductor Score & Parts

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One Foot Cover Image

One Foot: Concert Band Conductor Score & Parts

As Performed by Walk the Moon

Words and music by Ben Berger, Ryan McMahon, Ryan Rabin, Eli Maiman, Nicholas Petricca, Kevin Ray, and Sean Waugman / arr. Victor López

Grade: 2.5 (Easy to Medium Easy)

Item: 00-46638

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Description
Following up their breakout hit "Shut Up and Dance," Walk The Moon are officially back with "One Foot"! Their upbeat new lead single will certainly thrill the audience. Catchy, repetitive, disco-type rhythms combine in contemporary fashion with a tribal foot-stomping chorus. A dynamic, high-energy pop song guaranteed to deliver an explosive performance. (2:15)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, One Foot: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Young Band
Publisher: Alfred Music
Page Count: 136
UPC: 038081541495
SKU: 00-46638

More about this title

Why we love this

Victor López's arrangement captures everything that makes Walk the Moon's original infectious: the propulsive disco groove, the earworm hook, and that tribal foot-stomping energy that gets audiences on their feet. At Grade 2.5, it's accessible enough for developing bands while maintaining the commercial polish and dynamic range that keeps performers engaged. This is the kind of piece that reminds students why they want to play music in the first place.

What to expect

A burst of disco-inflected energy with modern pop sensibilities. The catchy, repetitive melodies stick immediately, while the tribal rhythms in the chorus create an almost primal sense of forward motion. It's celebratory and infectious, the kind of piece that makes an audience genuinely excited to hear what a concert band can do.

Who it's for

Concert bands in the middle grades and early high school years, as well as community bands looking for contemporary repertoire with genuine audience appeal. This works for ensembles that want to break away from traditional band canon without sacrificing musicality or clean technique.

How to get the most out of it

  • Lock the rhythmic foundation in the rhythm section (bass drum, snare, low brass, and low reeds) during the tribal foot-stomping chorus. Clean articulation and consistent dynamics here make the whole ensemble sound sharper and more cohesive.
  • Bring out the countermelodies in the saxophones and woodwinds throughout the verses. They're what give this arrangement its contemporary flavor and prevent the piece from feeling one-dimensional.
  • Build intensity gradually from the opening through the first chorus. Resist the urge to play everything at full volume immediately; the arrangement needs room to grow.
  • Balance the melody across sections rather than assigning it to a single voice. The arrangement is designed so the hook passes between trumpets, saxophones, and other voices, creating texture and keeping listeners guessing.

How to use it

Open a pops or contemporary concert with this. Its high energy and familiar appeal work beautifully as a statement piece early in the program, setting a celebratory tone and drawing in audiences who might not typically attend a concert band event. It also pairs well alongside other contemporary pop arrangements in a thematic concert.

Skills your students will build

  • Maintaining steady pulse in disco and contemporary pop rhythmic styles
  • Balancing and blending countermelodies across multiple sections
  • Building dynamic shape over longer phrases rather than playing with constant intensity
  • Articulation clarity in fast, repetitive rhythmic figures
  • Ensemble cohesion when the melody passes between different instrumental families

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