On the Open Seas Cover Image

On the Open Seas: Flexible String Ensemble Score

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On the Open Seas Cover Image

On the Open Seas: Flexible String Ensemble Score

By Susan H. Day

Grade: 1.5

Item: 00-49467S

$9.00
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Description
On the Open Seas is an exciting new sea chantey by Susan H. Day. Written because sea-faring voyagers are always looking for their next adventure on the open seas! This piece is written in E minor, 4/4 time, and features a spirited, memorable melody, detache bowing, easy rhythms, accents, pizzicato, and fun for all! Bass and cello double, and viola rhythms double 2nd violin rhythms throughout for ease of teaching. Optional piano adds harmonic color. Perfect for any concert occasion, students and teachers will want to keep performing this one! (2:00) This title is available in MakeMusic Cloud.

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Additional Details
Series: Highland String Orchestra (HSO)
Publisher: Alfred Music
ISBN10: 1-4706-5017-7
ISBN13: 978-1-4706-5017-9
UPC: 038081570952
SKU: 00-49467S

More about this title

Why we love this

Day has written a piece that checks all the boxes for a successful Grade 1.5 string orchestra work: a hook of a melody that sticks in your students' heads, clear pedagogical doublings that let you teach without constantly stopping to fix balance, and enough textural variety (pizzicato, detache, accents) to keep young players engaged without overwhelming them. The sea chantey idiom gives the work character and storytelling weight that matters to young musicians.

What to expect

Spirited and salty. The melody carries the swagger of a sea chantey, buoyed by confident rhythmic pulse and articulation that makes even young players feel like seasoned voyagers. There's brightness and forward energy here, not darkness; this is adventure, not melancholy.

Who it's for

String orchestras at the Grade 1.5 level and early intermediate ensembles looking for repertoire with real momentum and character. Beginning string players benefit from the straightforward rhythms and clear melodic writing, while teachers appreciate the built-in pedagogical support through part doublings.

How to get the most out of it

  • Lock in the detache bowing technique during early rehearsals so the rhythmic drive stays crisp throughout. Young string players often soften the articulation under tempo pressure, so isolate and drill the opening phrase before layering in other sections.
  • Balance the pizzicato passages by asking bass and cello players to pluck with intention. At this level, pizzicato can easily disappear; remind your low strings they're part of the harmonic foundation even when plucking.
  • Use the optional piano part strategically. If you have a capable accompanist, add it in the final rehearsals to give the ensemble a harmonic anchor and add color without cluttering the string textures.

How to use it

Program this as an opener or early-set piece at a spring or fall concert when you want to establish energy and engagement. Its two-minute length and festival-ready style make it ideal for competition performance, while the thematic accessibility means audiences connect immediately.

Skills your students will build

  • Detache bowing and clean articulation
  • Pizzicato technique and tone control
  • Playing with accents and dynamic shaping
  • Rhythmic precision in 4/4 time with syncopation
  • Ensemble balance across divisi parts and doublings

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