On the Open Seas Cover Image

On the Open Seas: Flexible String Ensemble Score & Parts

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On the Open Seas Cover Image

On the Open Seas: Flexible String Ensemble Score & Parts

By Susan H. Day

Grade: 1.5

Item: 00-49467

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Description
On the Open Seas is an exciting new sea chantey by Susan H. Day. Written because sea-faring voyagers are always looking for their next adventure on the open seas! This piece is written in E minor, 4/4 time, and features a spirited, memorable melody, detache bowing, easy rhythms, accents, pizzicato, and fun for all! Bass and cello double, and viola rhythms double 2nd violin rhythms throughout for ease of teaching. Optional piano adds harmonic color. Perfect for any concert occasion, students and teachers will want to keep performing this one! (2:00) This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, On the Open Seas: Flexible String Ensemble Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Highland String Orchestra (HSO)
Publisher: Alfred Music
ISBN10: 1-4706-5016-9
ISBN13: 978-1-4706-5016-2
UPC: 038081570945
SKU: 00-49467

More about this title

Why we love this

Day has crafted a piece that sounds far more sophisticated than its Grade 1.5 difficulty suggests. The built-in doublings (cello and bass, viola shadowing second violin) mean your ensemble sounds fuller and more confident from day one, which keeps early-level students engaged and motivated. The maritime storytelling combined with practical orchestration makes this a genuinely rewarding piece to teach, not just a checkbox on a concert.

What to expect

A brisk voyage across sparkling water, propelled by a spirited melodic line that feels adventurous without being overly complex. The mix of detaché and pizzicato textures, combined with the E minor key, evokes both the energy and romance of seafaring, building an immediate sense of place and story.

Who it's for

String ensembles at the Grade 1.5 level looking for a concert piece with real character and maritime flair. Young musicians benefit from the logical orchestration and rhythmic accessibility, while teachers appreciate the flexibility to perform with or without the optional piano part.

How to get the most out of it

  • Emphasize the character of each bowing style as it appears. The detaché bowing gives the melody its sprightly character, so work toward a clear separation between notes while maintaining the spirited tempo.
  • Shape the accents musically rather than aggressively. They should feel like natural emphases within the melodic phrase, not sudden attacks.
  • Use the pizzicato sections to lighten the texture and draw contrast. Pluck cleanly and let the notes decay naturally so the color shift registers clearly for your audience.
  • If you include the optional piano part, rehearse it early and often. Even simple harmonic support dramatically improves ensemble intonation and confidence at this level.

How to use it

Program this early in a concert to establish energy and momentum, or use it as a contrasting piece in a mixed string repertoire set. At two minutes, it also works well as a festival or competition selection where variety and clear musical storytelling matter.

Skills your students will build

  • Detaché bowing technique with clear note separation
  • Pizzicato playing with controlled articulation
  • Accent placement within melodic phrasing
  • Reading and responding to dynamic markings (accents and rhythmic clarity)
  • Ensemble balance when doubling parts strengthen the texture
  • Ensemble cohesion in 4/4 time with straightforward rhythmic figures

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