On the Move Cover Image

On the Move: Concert Band Conductor Score & Parts

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On the Move Cover Image

On the Move: Concert Band Conductor Score & Parts

For Concert Band

By Ryan Meeboer

Item: 81-CB225487

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Description
On the Move by Ryan Meeboer is the perfect song to transition students from the method book to playing ensemble music. Composed mainly using the first seven pitches learned in most method books and nothing faster than a quarter note by wind instruments, this piece uses unison rhythms with block harmonies to give performers more experience reading music that is not monophonic. (2:15)

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77893-131-6
ISBN13: 978-1-77893-131-4
SKU: 81-CB225487

More about this title

Why we love this

Ryan Meeboer understood what method book students actually need to hear: proof that they can make real ensemble music with the pitches they've already learned. On the Move strips away the intimidation of simultaneous parts and complex rhythms while maintaining authentic band sonority, so students experience themselves as genuine musicians rather than note readers.

What to expect

Energetic and purposeful, like a group of musicians discovering that they can create something together. The rhythmic unity and harmonized sections give the piece forward momentum and weight, even at an introductory level.

Who it's for

Bands in their first year of ensemble playing, typically grades 3-5. This piece serves beginning conductors as well, offering a repertoire choice that builds student confidence without overwhelming rehearsal time with technique problems.

How to get the most out of it

  • Balance the block harmonies by having students shape each chord as a unit. Even though the individual parts stay simple, blending across the section transforms disconnected lines into cohesive sound.
  • Keep the tempo steady and deliberate through the unison sections. Students transitioning from method books often rush when they feel confident with the notes; a conductor's clear pulse anchors the ensemble.
  • Use the block harmony passages to teach proper voice leading awareness. Point out how the chord voices move together, setting them up to recognize similar relationships in more complex arrangements later.

How to use it

Program this early in the concert season when students still feel uncertain about their ensemble voices. It works especially well on fall festivals or beginners' concerts where demonstrating musical growth matters more than technical facility.

Skills your students will build

  • Reading and performing non-unison parts simultaneously
  • Maintaining steady tempo within a group setting
  • Balancing individual voice within block harmony texture
  • Responding to conductor gestures for entrances and releases across multiple parts

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