On the Move Cover Image

On the Move: Brass Quintet Score & Parts

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On the Move Cover Image

On the Move: Brass Quintet Score & Parts

By Ryan Meeboer

Level: Easy

Item: 81-BQ225592

$15.00
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Description
On the Move is the perfect song to transition students from the method book to playing ensemble music. Composed mainly using the first seven pitches learned in most method books and nothing faster than a quarter note, this piece uses unison rhythms with block harmonies to give performers more experience reading music that is not monophonic.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77893-160-X
ISBN13: 978-1-77893-160-4
UPC: 685462031610
SKU: 81-BQ225592

More about this title

Why we love this

Meeboer has crafted something genuinely useful for the awkward transition moment: students can finally hear themselves in four-part harmony while staying within the exact vocabulary they already know. The unison rhythms keep everyone together without adding reading complexity, so the focus stays on listening and blending rather than panic.

What to expect

Straightforward and purposeful. The writing feels like a natural conversation among five instruments discovering how their voices fit together, with no artifice or showy gestures getting in the way of that discovery.

Who it's for

Brass quintet students making their first steps into ensemble reading after completing foundational method book work. This works especially well for mixed-level quintets where readers need to build confidence in a non-monophonic setting without overwhelming technical demands.

How to get the most out of it

  • Balance the unison lines so no single player dominates; this is your chance to teach ensemble blend before adding harmonic independence.
  • Keep the quarter note pulse steady and deliberate; there's no rushing through simpler material, and precision here builds foundation for faster passages later.
  • Highlight the block harmonies by listening to how each voice color sits in the vertical sonority rather than thinking only horizontally.

How to use it

Program this early in an ensemble concert or festival appearance as a confidence builder before more demanding works. It's also ideal for a quintet's first rehearsal together, since everyone can focus on ensemble fundamentals rather than individual technical survival.

Skills your students will build

  • Reading non-monophonic ensemble music
  • Balancing individual lines within harmonic blocks
  • Sustaining unison rhythms with ensemble precision
  • Listening to and blending with four other voices

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